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Our Victorian Murder Mystery On Sale

A Seaside Mourning is on sale this week on Kindle for just 99 pence/cents. We thought we’d reblog this piece on the background to the novel. Please click on the link on the end of this blog to start reading or to order. It’s also available in paperback.updated-seaborough-picture-no-people

A Seaside Mourning is set in the fictional town of Seaborough, a small resort in Devon. The plan was to think hard about coming up with a suitable name. However around the same time we were researching John’s family history. When we found that one of his ancestors had the unusual first name of Seaborough, it seemed exactly right.

In the novel Seaborough is in East Devon, an area often overlooked by holiday-makers who travel to the better-known parts of the English Riviera and the South Hams. It is a timeless landscape of rounded hills, old hedgerows, meadows and heaths; villages with thatched cottages and a few quiet seaside resorts. Their railway stations and branch lines are long gone.

The unspoilt coastline has red sandstone, zig-zag cliffs gradually fading to chalk near the county border. Together with the neighbouring county of Dorset, they make up the Jurassic Coast, Britain’s first Unesco natural world heritage site. We know the area well from walking the old footpaths and exploring the villages of my forebears. One of my ancestors was a Victorian police constable, probably much like the ones in the story.

Walk through the streets of any British seaside town, trace back the architecture and you’ll most likely find the beginning was a fishing village. The rise of the seaside resort – offering buildings and entertainment designed to attract tourists – gradually began in the eighteenth century. At that time the concept of an annual holiday for the masses didn’t exist. The wealthy tended to travel abroad on the classical Grand Tour or over-winter on the Continent. Working people had neither the money nor paid leisure to explore new places.

From the mid-1700s physicians began questioning whether sea-water might have healing properties similar to those of spa water. An enterprising Sussex physician Dr. Richard Russell set up a house for patients in the fishing village of Brighthelmstone in 1753. ‘Taking the waters’ at inland spa resorts was fashionable and money was to be made from rich invalids – and hypochondriacs – so there may have been some self-interest involved!

Dr. Russell published works on the rejuvenating powers of sea-bathing and drinking salt water, claiming his treatments cured enlarged glands and all manner of ailments. As well as swimming, his patients were immersed in baths of salt water and encouraged to ‘promenade’ in the sea air. This quickly became prevalent medical opinion.

Just as today, landowners and speculative builders were quick to spot a business opportunity. Scarborough on the coast of Yorkshire had the best of both worlds. Mineral water had been discovered there in the early seventeenth century and they had a flourishing spa by the beach. Wheel out the bathing-machines and the town was well-placed to develop into England’s earliest seaside resort.

Villages along the south coast in particular offered a mild climate and an easier journey from the capital. They began to throw up lodgings suitable for well-to-do visitors. Theatres and assembly rooms were built, promenades and sea-front gardens laid out. New resorts advertised their picturesque scenery, carriage tours and health-giving benefits.

Jane Austen satirised this new enthusiasm in her last unfinished novel, Sanditon. Interestingly Reginald Hill did a witty take on Sanditon – one of his lovely literary jokes – in his Dalziel and Pascoe novel A Cure For All Diseases. Sidmouth in East Devon is a possible contender for Austen’s Sanditon, though several resorts also fit the clues. It’s most likely that Jane Austen was thinking of more than one place. The Austens enjoyed holidaying along the Channel coast. Their stays at Lyme Regis in 1803 and 04 famously inspired part of the setting of Persuasion.

Fashion played a part in putting a watering-hole on the map. When George III’s physicians recommended he try the sea cure in 1788, he chose the village of Weymouth on the Dorset coast. Liking its sheltered sandy bay, he returned many times, making Weymouth one of England’s oldest seaside resorts.

His son, later the Prince Regent, vastly preferred Brighthelmstone, nearer London. Under his patronage it expanded rapidly to cater for his younger and wilder set. It has never lost its stylish and racy reputation. The spelling changed to suit its pronunciation and a new saying became widespread. The wealthy patient often tried the cure of Doctor Brighton.

Some towns started out as the vision of a single developer. In the 1780s a wealthy merchant called Sir Richard Hotham bought up land around the Sussex fishing village of Bognor. He intended to design a purpose-built resort modestly named Hothampton and entice the King away from Weymouth, making himself a second fortune. George III never obliged and the town reverted to Bognor soon after Sir Richard’s death. He did leave the townspeople several fine terraces and a splendid park.

New resorts received a boost to their fortunes when the Napoleonic wars closed the Continent to travellers. Prosperous invalids and people living in seclusion often settled by the sea in smart new villas for the gentry. Lady Nelson came to live at Exmouth in East Devon, after Nelson’s association with Lady Emma Hamilton became public knowledge.

Hunstanton features briefly in our Inspector Abbs novella A Christmas Malice, set just after his case in Seaborough. This West Norfolk resort came about as the scheme of one man in 1846. Henry Le Strange, an architect and local landowner built a hotel on an empty headland as the flagship of his new town. A typically enthusiastic Victorian ‘entrepreneur’, he gathered investors to fund a railway line from King’s Lynn to his planned site, which was named after the nearby village of Old Hunstanton. It took another 16 years before the railway arrived and further building work began.

Many resorts can date their growth to the arrival of the railway. It became the custom for middle-class Victorian families to send their children to the seaside with nannies and nursery-maids. The first pleasure pier had been constructed at Ryde on the Isle of Wight, as early as 1814. Almost a hundred more followed, mostly in England and Wales. The Bank Holiday Act of 1871 gave workers four days off – five in Scotland. On Whit Monday and in August, railway companies laid on ‘Bank Holiday Specials’ for the day-trippers pouring into popular resorts. At last accessible for the pleasure of ordinary working people, the seaside resort as we know it today had arrived.

In A Seaside Mourning, Seaborough is expanding. It is autumn 1873 and the town has its railway branch line. New houses are going up and some businessmen are keen for a pier and other amenities to be developed.

Many of the characters are ‘on the make’, jostling for more money and social position. Some are fighting for security in a precarious society shadowed by the workhouse. Even Inspector Josiah Abbs is not safe. This was an age when policemen were not considered gentlemen. A detective was treated by the well-off as a distasteful necessity, an embarrassment who should call at the tradesmen’s entrance.

Abbs cannot summon suspects to interview if they are his social ‘betters’ and he must catch a murderer without making enemies. Dismissal without a reference is always a threat. He and his young side-kick Sergeant Ned Reeve, though very different characters, are both outsiders in Devon. They don’t quite know what to make of one another yet but they’re determined to solve the case somehow…

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My Quest Novel On Sale

My Victorian thriller Deadly Quest is on sale for Kindle readers for just 99 pence/cents until late on Monday night. Just click the link below to have a look and to start reading for free…

This is to mark the fact that I’m now writing the third book in the William Quest series – it doesn’t have a title as yet. Unlike the first two books, which were set in London and Norfolk, this one is set in the winding streets and ginnels of York.

And – as Quest has never been to York before – this puts him at a considerable disadvantage as he faces menacing new foes.

I’ll let you know how the writing goes. Hopefully, the book will be finished by the end of the year.

Meanwhile, if you haven’t started the series, do seek out the first two books The Shadow of William Quest and Deadly Quest…

Enjoy the books…

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The Holly House Mystery

Our latest novella, ‘The Holly House Mystery’ is on sale at only 99 pence/cents. Offer ends on the 6th March (early evening British time).

Friends, please accept this, the only intimation!”

‘The Holly House Mystery’ is set in 1931 and is the second outing for Inspector Eddie Chance of Tennysham-on-sea in Sussex.

This is our take on a classic Golden Age-style murder mystery, set at a winter country house-party. Featuring the usual suspects – including the host, the male secretary, the femme fatale, the young couple and the butler – who murdered the house-maid found in the priory ruins and why?

The setting of Holly House was loosely inspired by the real-life Michelham Priory in present-day East Sussex. (Never taken to the idea of my birth county being split). Michelham Priory is owned by the Sussex Archaeological Society and open to the public. See http://www.sussexpast.co.uk for details. 

Originally an Augustinian foundation and ravaged in the Dissolution, today’s Michelham Priory is a lovely Tudor country house. The site is idyllic, a 7 acre near-island, surrounded by England’s longest medieval moat that still has water. A 14th century gatehouse and a picturesque water-mill have survived. The moat is a haven for wildlife and wild flowers and the gardens are glorious, including a medieval-style physic garden. (They also have delicious baking in the tea-room).

Places to visit in Sussex Michelham Priory

The enclosed nature of the setting inspired our homage to the popular vintage murder mystery with a limited number of suspects.

The length is 34,000+ words – ideal for a commute or a cosy couple of evenings.

We hope you enjoy – and would really appreciate any reviews as this helps all indie authors keep writing.

Here’s the link if you want to order a copy…

 

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Agatha Christie’s ‘Towards Zero’

 Towards Zero was first published in 1940, although the War isn’t mentioned in the novel. The unusual title comes from a remark made in the prologue about the origins of murder. Towards Zero (Agatha Christie Collection) by [Christie, Agatha]

I like a good detective story,” he said. “But, you know, they begin in the wrong place! They begin with the murder. But the murder is the end. The story begins long before that – years before sometimes – with all the causes and events that bring certain people to a certain place at a certain time on a certain day. …All converging towards a given spot. Zero hour.”

The detective in this story is Superintendent Battle, who features in four earlier stories, The Secret of Chimneys (1925), The Seven Dials Mystery (1929), Murder is Easy (1938) and Cards on the Table (1939). Battle is staying with his nephew, a police inspector, who welcomes his uncle’s greater experience.

The plot has an interesting structure, beginning with a couple of scenes whose significance only becomes apparent at the denouement. We know early on that someone is planning the minutiae of a murder. Then we switch to letters being written and plans made for the characters to come together, nine months later in September. They stay at a house called ‘Gull’s Point,’ on the cliffs above a Devon fishing village. The setting is thought to be based on Devon’s Salcombe and the Kingsbridge estuary .

Once the suspects are gathered, Agatha Christie skilfully builds an atmosphere of prolonged tension, making this a gripping read. Scenes, pleasant on the surface, are full of fear and a sense of waiting for disaster. The characters are well-rounded and Christie’s wise understanding of psychology is shown at its strongest. I couldn’t disagree more with critics who dismiss her work as cardboard characters and superficial plots.

When a murder finally takes place, everyone concerned is put in the frame in a succession of twists. Red herrings abound and twice I was convinced I’d worked out the solution, only to be foxed again. Christie uses a plot device I recall in (only) one other title, but one of her many strengths is to present recycled ideas in such a well-disguised, fresh way that they slip past the readers again. Given that she wrote sixty-six novels, many short stories and there are only so many possible plots, I think she was remarkably clever.

Apparently when Agatha Christie adapted Towards Zero into a play in 1956, it wasn’t a great success. Perhaps because it’s quite an outdoor novel with scenes on the beach and cliffs. And creeping tension is better conveyed on the page?

I suspect this novel is often overlooked due to the lack of Poirot or Miss Marple. Certainly it wasn’t high on my list of gradual rereading – until I saw a few reviews. I must have read it decades ago but didn’t remember the plot. 

Now I’d recommend Towards Zero as one of Agatha Christie’s best. A very rewarding and satisfying read.

 

 

 

 

 

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Talking about the Penny Dreadful…

A big thank you to American crime writer Marni Graff, who features me today as a guest blogger on her splendid crime writing blog auntiemwrites

I’m talking about my new book Deadly Quest and how the writers of today might learn from the writers of Penny Dreadfuls in Victorian times.

Do visit and follow Marni’s blog which is always full of fascinating news about crime writing, book reviews etc.

Thank you Marni!

Click on the link below to visit Marni’s site.

https://wordpress.com/read/feeds/5968535/posts/1205250119

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Francis Durbridge’s “The Teckman Mystery”

For anyone growing up in England during the middle years of the 20th century, the name of writer Francis Durbridge, in connection with mystery writing, was an indication of twists and turns, considerable cunning, and particularly fine writing.

Durbridge was very prolific and, although he wrote fiction, his greater reputation was as a scriptwriter for films and television. Throughout those decades, UK audiences would cancel appointments to make sure they were in when the latest Durbridge mystery was aired on our TV screens.

The Teckman Mystery, though, is a film, suggested by Durbidge’s original story The Teckman Biography. It features one of his regular characters the crime-writer Philip Chance, played in this 1954 production by John Justin.

As the film begins, we meet Chance flying back to England from his villa in the south of France. He is returning to London to meet his publisher, who wants him to write a biography of Martin Teckman, an airman who has died testing a new aircraft, though his body was never found.

By coincidence, on his journey to England, Chance meets Teckman’s sister Helen (Margaret Leighton), who seems puzzled by the death of her brother.

Now, I’m not going to give away much else of the plot, for Durbridge deserves to be seen with no spoilers.

Enough to say, that, as so often with Durbridge stories, nothing is quite what it seems to be. Which characters can be trusted, and who are your real allies as opposed to enemies.

A series of “accidents” beset the would-be biographer of Teckman, leading to attempted bribery, burglary and murder – but who wants his investigation into Teckman’s accident hushed up?

And just why are Scotland Yard and MI5 so interested in Philip Chance’s inquiries?

This Cold War thriller made in 1954, was directed by the excellent Wendy Toye, and features an superb cast, including – apart from Justin and Leighton – Roland Culver, Michael Medwin and Duncan Lamont. It’s shot, as are most good films in this genre, in crisp black and white. And how wonderful to see a 1950s London before the city was wrecked by tower-blocks…

Watching the Teckman Mystery is a very enjoyable way to spend a rainy afternoon.

To see links and versions please click on the link below:

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