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Finding Novel Locations

We’ve been in York, searching out locations for the third William Quest novel. Interesting to walk around a city getting atmosphere for an historical thriller set in 1854. As an historical location, York is easier than most. Such a lot survives, compared to other places in Britain.

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York Minster

In the first two books The Shadow of William Quest and Deadly Quest, my hero is mostly adventuring in London – a place which has changed a great deal since the mid-Victorian period. But the Victorian elements can still be sought out even there, though they are few and far between. I’ve spent such a lot of years studying Victorian London that it seems very familiar to me. Indeed, modern London seems strange whenever I’m there.

York is a joy. Although there has been modern development and new shop fascias, many of the streets would still be recognisable to a man from 1854. In my book, William Quest has never been to York before, so he’s lost one of the great advantages he’s had while  carrying out his often dubious activities in London – which he knows like the back of his hand.

For anyone who’s never encountered William Quest, he’s a mysterious figure, usually armed with a pistol and a swordstick, who rights wrongs, defends the weak against the strong, fights corruptions and has his own occasional vigilante methods of dealing with wrongdoers.

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Grape Lane

 

But in this book he’s having to take on the role of detective as well, solving a puzzle that has baffled the citizens of York…

And it means peril, high adventure and a sinister conspiracy….

Having spent the past couple of months writing the third Quest (no title as yet), it’s great to revisit familiar old haunts in York – though I confess to spending a lot of time in bookshops. York has some great second-hand bookshops!York October 2017 011

 

 

 

We go to York quite often and always do a lot of walking around the streets, but I felt I was at the point in the novel where I wanted to see again some of the places I’d mentioned in the chapters written so far. There is one particular street, Tanner Row, which appears in the book and which I didn’t really know at all  – an important street leading to what was once York’s original railway station. The one someone like Quest would have used in 1854.

This original railway station was within the city walls, the present station, though Victorian and magnificent is outside the walls. Much of the old station still exists, though it’s been revamped as offices for the city council.

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Tanner Row

Nearer to the Minster, we walked the streets where the mystery occurs which provides my novel with its plot – the area around Stonegate and Grape Lane. I know these streets very well, but it was valuable to stroll through them with my characters in mind. It’s the little details that make the difference when you are imagining fictional characters in a real landscape.

Most of my novels are set in real places. I often get ideas for stories by just going for a walk. The whole story-line of my 1930’s Scottish novel Balmoral Kill changed when I walked around Loch Muick in the Highlands. You could re-enact the final duel in that novel across a real landscape if you wanted.

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The Old Railway Station

I find as a writer that just going out for a walk is the greatest source of inspiration.

Some areas of York have changed since the 1850s. The streets known as the Water Lanes, down on the River Ouse, were a rookery at that time.  In the 1870s a new road, Clifford Street, was driven through and much of the rest redeveloped. It’s still Victorian and charming to walk through, but not quite the setting Quest would have known.

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On the city walls

Much the same happened in London. Jacob’s Island, where my book Deadly Quest comes to an end, was a much viler rookery than the Water Lanes. Charles Dickens used it for the ending of Oliver Twist, where it is Fagin’s final lair. Today Jacob’s Island is full of very expensive luxury apartments. If the ghosts of the poor devils who lived in the diseased original Island could come back and see it, I do wonder what they would think?

I came back from York enthused by what I’d seen. The visit spurred me on to finish the book. I hope it will be out at the turn of the year.

Though I still don’t have a title!

If you haven’t read the first two William Quest novels, there are links below. Both are available in paperback and on Kindle – and there’s a free Kindle App available for your Smartphones if you like to read on the move.

 

 

 

 

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The Third William Quest Novel

I’m now writing the third book featuring my series character William Quest, which hopefully will be out at the end of the year. Quest will find himself a long way from London fighting against new enemies and even greater dangers in York, one of England’s oldest cities.

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York Minster which plays a significant part in the new Quest novel

In the London novels (see below) Quest had the advantage over his enemies of knowing every street and alley. But York is new to him, so he’s disadvantaged from the start. And it is in York’s winding medieval streets and snickets that he faces a particular and menacing foe.

As York is one of our favourite places, I’m very much enjoying setting a book there. It’s a wonderful setting for a mystery adventure.

If you haven’t read the first two books in the series, do please click on the links. They’re both out in paperback and on the Kindle eBook reader for your smartphone, Kindle or laptop – just download the free app when you order the books. And if you have read the books and enjoyed them, I’d really appreciate it if you would leave a quick review on the Amazon sales pages.

Leaving reviews helps all Indie Authors stay in business and keep writing. 

Please do tell your friends and fellow readers. Word of mouth is the very best form of advertising.

 

 

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Our Victorian Murder Mystery On Sale

A Seaside Mourning is on sale this week on Kindle for just 99 pence/cents. We thought we’d reblog this piece on the background to the novel. Please click on the link on the end of this blog to start reading or to order. It’s also available in paperback.updated-seaborough-picture-no-people

A Seaside Mourning is set in the fictional town of Seaborough, a small resort in Devon. The plan was to think hard about coming up with a suitable name. However around the same time we were researching John’s family history. When we found that one of his ancestors had the unusual first name of Seaborough, it seemed exactly right.

In the novel Seaborough is in East Devon, an area often overlooked by holiday-makers who travel to the better-known parts of the English Riviera and the South Hams. It is a timeless landscape of rounded hills, old hedgerows, meadows and heaths; villages with thatched cottages and a few quiet seaside resorts. Their railway stations and branch lines are long gone.

The unspoilt coastline has red sandstone, zig-zag cliffs gradually fading to chalk near the county border. Together with the neighbouring county of Dorset, they make up the Jurassic Coast, Britain’s first Unesco natural world heritage site. We know the area well from walking the old footpaths and exploring the villages of my forebears. One of my ancestors was a Victorian police constable, probably much like the ones in the story.

Walk through the streets of any British seaside town, trace back the architecture and you’ll most likely find the beginning was a fishing village. The rise of the seaside resort – offering buildings and entertainment designed to attract tourists – gradually began in the eighteenth century. At that time the concept of an annual holiday for the masses didn’t exist. The wealthy tended to travel abroad on the classical Grand Tour or over-winter on the Continent. Working people had neither the money nor paid leisure to explore new places.

From the mid-1700s physicians began questioning whether sea-water might have healing properties similar to those of spa water. An enterprising Sussex physician Dr. Richard Russell set up a house for patients in the fishing village of Brighthelmstone in 1753. ‘Taking the waters’ at inland spa resorts was fashionable and money was to be made from rich invalids – and hypochondriacs – so there may have been some self-interest involved!

Dr. Russell published works on the rejuvenating powers of sea-bathing and drinking salt water, claiming his treatments cured enlarged glands and all manner of ailments. As well as swimming, his patients were immersed in baths of salt water and encouraged to ‘promenade’ in the sea air. This quickly became prevalent medical opinion.

Just as today, landowners and speculative builders were quick to spot a business opportunity. Scarborough on the coast of Yorkshire had the best of both worlds. Mineral water had been discovered there in the early seventeenth century and they had a flourishing spa by the beach. Wheel out the bathing-machines and the town was well-placed to develop into England’s earliest seaside resort.

Villages along the south coast in particular offered a mild climate and an easier journey from the capital. They began to throw up lodgings suitable for well-to-do visitors. Theatres and assembly rooms were built, promenades and sea-front gardens laid out. New resorts advertised their picturesque scenery, carriage tours and health-giving benefits.

Jane Austen satirised this new enthusiasm in her last unfinished novel, Sanditon. Interestingly Reginald Hill did a witty take on Sanditon – one of his lovely literary jokes – in his Dalziel and Pascoe novel A Cure For All Diseases. Sidmouth in East Devon is a possible contender for Austen’s Sanditon, though several resorts also fit the clues. It’s most likely that Jane Austen was thinking of more than one place. The Austens enjoyed holidaying along the Channel coast. Their stays at Lyme Regis in 1803 and 04 famously inspired part of the setting of Persuasion.

Fashion played a part in putting a watering-hole on the map. When George III’s physicians recommended he try the sea cure in 1788, he chose the village of Weymouth on the Dorset coast. Liking its sheltered sandy bay, he returned many times, making Weymouth one of England’s oldest seaside resorts.

His son, later the Prince Regent, vastly preferred Brighthelmstone, nearer London. Under his patronage it expanded rapidly to cater for his younger and wilder set. It has never lost its stylish and racy reputation. The spelling changed to suit its pronunciation and a new saying became widespread. The wealthy patient often tried the cure of Doctor Brighton.

Some towns started out as the vision of a single developer. In the 1780s a wealthy merchant called Sir Richard Hotham bought up land around the Sussex fishing village of Bognor. He intended to design a purpose-built resort modestly named Hothampton and entice the King away from Weymouth, making himself a second fortune. George III never obliged and the town reverted to Bognor soon after Sir Richard’s death. He did leave the townspeople several fine terraces and a splendid park.

New resorts received a boost to their fortunes when the Napoleonic wars closed the Continent to travellers. Prosperous invalids and people living in seclusion often settled by the sea in smart new villas for the gentry. Lady Nelson came to live at Exmouth in East Devon, after Nelson’s association with Lady Emma Hamilton became public knowledge.

Hunstanton features briefly in our Inspector Abbs novella A Christmas Malice, set just after his case in Seaborough. This West Norfolk resort came about as the scheme of one man in 1846. Henry Le Strange, an architect and local landowner built a hotel on an empty headland as the flagship of his new town. A typically enthusiastic Victorian ‘entrepreneur’, he gathered investors to fund a railway line from King’s Lynn to his planned site, which was named after the nearby village of Old Hunstanton. It took another 16 years before the railway arrived and further building work began.

Many resorts can date their growth to the arrival of the railway. It became the custom for middle-class Victorian families to send their children to the seaside with nannies and nursery-maids. The first pleasure pier had been constructed at Ryde on the Isle of Wight, as early as 1814. Almost a hundred more followed, mostly in England and Wales. The Bank Holiday Act of 1871 gave workers four days off – five in Scotland. On Whit Monday and in August, railway companies laid on ‘Bank Holiday Specials’ for the day-trippers pouring into popular resorts. At last accessible for the pleasure of ordinary working people, the seaside resort as we know it today had arrived.

In A Seaside Mourning, Seaborough is expanding. It is autumn 1873 and the town has its railway branch line. New houses are going up and some businessmen are keen for a pier and other amenities to be developed.

Many of the characters are ‘on the make’, jostling for more money and social position. Some are fighting for security in a precarious society shadowed by the workhouse. Even Inspector Josiah Abbs is not safe. This was an age when policemen were not considered gentlemen. A detective was treated by the well-off as a distasteful necessity, an embarrassment who should call at the tradesmen’s entrance.

Abbs cannot summon suspects to interview if they are his social ‘betters’ and he must catch a murderer without making enemies. Dismissal without a reference is always a threat. He and his young side-kick Sergeant Ned Reeve, though very different characters, are both outsiders in Devon. They don’t quite know what to make of one another yet but they’re determined to solve the case somehow…

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My Quest Novel On Sale

My Victorian thriller Deadly Quest is on sale for Kindle readers for just 99 pence/cents until late on Monday night. Just click the link below to have a look and to start reading for free…

This is to mark the fact that I’m now writing the third book in the William Quest series – it doesn’t have a title as yet. Unlike the first two books, which were set in London and Norfolk, this one is set in the winding streets and ginnels of York.

And – as Quest has never been to York before – this puts him at a considerable disadvantage as he faces menacing new foes.

I’ll let you know how the writing goes. Hopefully, the book will be finished by the end of the year.

Meanwhile, if you haven’t started the series, do seek out the first two books The Shadow of William Quest and Deadly Quest…

Enjoy the books…

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The Return of Novels and Novelettes

‘Why did he only write a novella?’ was a comment on an otherwise favourable review we had a couple of years ago. A fair question and one we took as a back-handed compliment. We’ve been debating novellas and short novels recently, when as indie writers and avid readers, we note trends in the publishing world.

In the last few years we’ve noticed that novellas are becoming increasingly popular among indie authors. It’s interesting to think about why fashions change in publishing. A cynic might say novellas are quicker to get on sale – that’s true and an important factor – but far from the only reason.

Demand is driven partly by readers and most authors try to write books that will sell in the current market. Unfortunately, demand is also manipulated by the big publishers. For instance, in the 1960s and 70s, historical fiction was very popular. Later, it almost disappeared from the shelves with publishers not wanting to take that genre. It’s hard to believe there were some years when readers went off historical novels when you look at their resurgence today, led by authors such as Hilary Mantel and Philippa Gregory.

Novellas and short novels are an old literary form which is making a welcome come-back for various reasons. It’s worth taking a closer look at what is generally meant by the terms. There are no hard and fast rules. From the writing guides I’ve read, leading indie author commentators mostly suggest that 20,000 words is the starting point for a novella.

I’ve no quarrel with this, though we feel that a 30-35,000 word-count is right for us. In the two novellas we’ve published, that space was a natural length to produce a well-rounded story, neither padded nor truncated. We felt it was a length to give good value to our readers, which is important to us.

A short novel is hard to define, though it’s currently suggested that 80,000 words is the minimum length for a novel. I guess a short novel is what used in Britain to be called a ‘novelette,’ anything upwards of around 40,000 words. This is an atmospheric old word that is reappearing in indie author’s book descriptions and we’re pleased to see it back. ‘Novelette’ conjures up nostalgic thoughts of garish covers and  exciting yarns like Leslie Charteris’s Simon Templar – The Saint – and hard-boiled Chandler and Hammett. Fast-moving adventure stories used to lend themselves to shorter fiction – perhaps until modern publisher-pressure.

Some authors do use the terms novella and novelette for as little as 25-30 pages.  This seems an unwise strategy. Though their work looks longer on the sales page, I’ve noticed angry reviews where readers’ expectations are misled. To pre-empt complaints of being short-changed by a short story, it’s worth making the length eye-catchingly clear in the blurb.

So, why write a novella? The main reason surely is because a writer wants to explore an idea that doesn’t lend itself to an average-length novel but is beyond the limitations of a short story. A story has its own natural length and far better to offer that to your readership than pad a plot in order to charge a higher price.

It’s natural to perceive larger goods as being better value but some of our most iconic fiction has a surprisingly short word count. Think of Doyle’s A Study in Scarlet (135 pages) and The Sign of Four (154), John Buchan’s The Thirty-nine Steps (138) and The Power-House (108), Geoffrey Household’s Rogue Male (180) or Stephenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, only 65 pages.

This doesn’t apply only to detective novels and thrillers. One of my favourite novels, J. L. Carr’s A Month in the Country has  85 memorable pages. Ghost stories too, often work better at medium-length. Incidentally, few speak of these superb stories as novellas or even short novels. We’re simply glad we have them – and many writers intersperse shorter works between longer novels.

In the world of classic crime fiction, the majority of Agatha Christie’s novels are around 190-220 pages. Several written during or shortly after the Second World War are 160, perhaps due to paper shortage. Their quality is certainly no less, they include the much-loved The Body in the Library. Simenon’s Maigret novels are known for their slim volumes. Both writers had a high output.

A quick look along the shelf at many  crime novelists writing from about the 60s will show that their early novels were shorter. You can see this in the canon of Ruth Rendell. Fellow Rendell fans will know that she decided to incorporate themes of social ills in her later Wexford novels, doubling the length of her early titles. I loved them all and it’s a joy to know you’re getting a thick novel from a favourite writer. Yet I’ve come to think that Rendell’s early  mysteries are stronger. The plot of a murder and its detection has a natural progression which is often better for not being expanded. Another of my all-time favourite detective novelists is Emma Page. Her titles are often 180-200 pages .

Don’t get me wrong – I love to curl up with a fat novel. Two of my favourite writers are Trollope and Wilkie Collins, who average 500-700 pages. Trouble is, I rarely get time to re-read them these days and I’m not alone in that. I’ve also seen  – again in the last few years – that many new crime novels look satisfyingly thick until you open them to find an unusually large font and wide line spacing. Do the big publishers think readers won’t notice? I imagine this trend is to justify the staggeringly high price of new hardbacks – and possibly to recoup going on a table display in Waterstones’?

Readers’ expectations seem to be changing in  ways, especially relevant to indie authors who deal mainly in ebooks. We’re living in an over-worked, stressed, time-poor society. Reading – thankfully for our mental health – is as popular as ever. Maybe even more so with people who weren’t drawn to books, finding they enjoy reading on devices. Many people now want a medium-length read they can enjoy on their phone while commuting. Others want to relax with a novella over an evening or two. Sadly, fewer have the time to commit to a lengthy novel.

Another factor in the rise of novellas/novelettes is satisfying the readers who expect frequent titles. Again, this phenomenon only applies to indie authors. Traditionally, readers have expected to wait for a yearly treat from favourite authors, or even a couple or more years. Especially if they’re longing to follow a series and the author has more than one on the go or fancies writing a stand-alone.

These days in our frantic-paced culture, the received wisdom is that readers expect more than a single ebook a year from authors they like. Industry trends strongly suggest that ebook readers’ expectations have gone haywire. We’re told that standalones won’t sell well and we need to get a series on sale fast or our name will be forgotten by readers who enjoyed our first title. And we all know, some readers expect our carefully-crafted months of work to be handed over for 99p! Publishing shorts does go some way towards retaining readers’ interest.

We will always love writing novels but have really enjoyed working on two novellas so far – one for each of our main detective characters. It feels refreshing and fun between the long-haul – maybe like running a half-marathon. Many indie authors are interspersing their fiction with novellas and short stories. It can be a great way of trying out an idea for a spin-off series or exploring a secondary character in greater depth. This is something we’re considering with our historical adventures and Victorian thrillers.

And we’re not alone. In traditionally published crime fiction, famous names such as Alison Joseph and Lesley Cookman have started novella series between their novels. I’m looking forward to Lesley Cookman’s second novella in her The Alexandrians Series which is out on 31st Jan (now on pre-order). She’s had the inspired idea of taking the Nethergate seaside theatre featured in her wonderful Libby Sarjeant series and using that as an Edwardian setting.

Between all these factors, I think we’ve only seen the start of authors producing novellas and short novels. Thanks to technology, writers now have a freedom to write as they choose. An opportunity unseen since the nineteenth century when small presses abounded and individuals sold topical chap-books in the street. It’s exciting to think that indie authors are leading the way.

What do you think? Don’t be shy – we’d love to hear thoughts from other authors.

Thanks to everyone who has taken the time and trouble to comment. One of the great things about the indie authors’ community is the spirit of openness – sharing experience,  helpful tips and support.

 

 

 

 

 

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The Holly House Mystery – in paperback, on Nook, Kobo and Kindle

Our new detective novella The Holly House Mystery is now available on Nook and Kobo as well as on Kindle and in paperback.  Thanks to everyone who has bought the book so far.  THE HOLLY HOUSE MYSTERY: An Inspector Chance Murder Mystery (An Inspector Chance Mystery Book 2) by [Bainbridge, John]

The new book is set on the Sussex downs in 1931, in the days between Christmas and the New Year, and features Inspector Eddie Chance of the Tennysham CID.

If you enjoy the book please do leave a review on the online selling sites and Goodreads. And if you could share this and tell your friends about The Holly House Mystery we’d be very grateful. Reviews help Indie Authors stay in business.

Here’s a bit more about the book:

December 1931. Inspector Chance investigates a country house mystery in a snow-bound Sussex village. Family and guests are gathered for Christmas at Holly House. A body is discovered near the ruins in the grounds. And only one set of footprints in the snow…

Can Inspector Chance solve the murder before Scotland Yard is called in?

The Holly House Mystery is a 34000 word novella, complete in itself, the second book in the Inspector Chance Mystery Series.

What Readers are saying about Inspector Eddie Chance’s first appearance in The Seafront Corpse

“An excellent depiction of good old fashioned detective work.”

“An enjoyable trip down memory lane, authentically written.”

“Excellent period detective piece. Couldn’t put it down.”

“The mystery was good, the characters were GREAT!!”

To order just click on this link:

https://www.amazon.co.uk/dp/B01N4GCWHR/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1482419497&sr=1-1&keywords=The+Holly+House+Mystery

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Talking about the Penny Dreadful…

A big thank you to American crime writer Marni Graff, who features me today as a guest blogger on her splendid crime writing blog auntiemwrites

I’m talking about my new book Deadly Quest and how the writers of today might learn from the writers of Penny Dreadfuls in Victorian times.

Do visit and follow Marni’s blog which is always full of fascinating news about crime writing, book reviews etc.

Thank you Marni!

Click on the link below to visit Marni’s site.

https://wordpress.com/read/feeds/5968535/posts/1205250119

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Hide In The Dark by Frances Noyes Hart

An American seasonal mystery this week, published in 1929 and set a year earlier on Hallowe’en. Hide In The Dark is the first novel I’ve read by Frances Noyes Hart (1890-1943) and I enjoyed it enormously.Hide in the Dark: An All Hallow's Eve Mystery (Black Heath Classic Crime) by [Hart ,Frances Noyes]

Thirteen people are gathered at Lady Court, an old house, some forty miles south of Washington. The house has been owned by the family of their hostess, Lindy, for over two hundred years, though not lived in – except by a servant – for the last fifty. Lady Court is supposedly haunted by an ancestor who committed murder.

Eleven of the characters are old college friends, a group who called themselves ‘The Mad March Hares,’ the remaining two are spouses. The group haven’t been all together for nearly a decade. They’re still haunted by the suicide of their twelfth friend, Sunny, who drowned herself when she was nineteen.

The novel begins as they arrive for a Hallowe’en house-party. The idea is to recall happy occasions spent there many years ago. They bring hampers of food for three days and the caretaker servant has been sent away. As night falls, Lindy recounts the story of the murder for the benefit of their new guests. In the best tradition of Hallowe’en tales, the weather worsens with lashing rain and a great storm. A river floods, sweeping away a bridge and cutting off the house. They find the telephone is no longer working.

The group play traditional games such as ‘apple-bobbing’ and ‘flour and ring’. Over the course of the evening, old friends catch up, secrets are disclosed, hidden enmities surface. The author does a wonderful job of building a darkening atmosphere beneath the high jinks and a sense of growing danger. This culminates at midnight when they play ‘hide in the dark,’ – more often known as ‘sardines’ in the U.K – and one of them is murdered.

Unable to get help, the friends question one another and try to work out whodunit. It turns out that several had a motive to kill the victim.

Hide In The Dark is beautifully written. Initially, I wondered if thirteen suspects might be a lot to get straight but soon found the author created clearly delineated characters. They are very believable of their period, it was easy to get to know them and care what happens. Frances Noyes Hart also included a cast list, a popular device in Golden Age fiction.

The novel has a lot of quick-fire dialogue and I kept ‘seeing’ the scenes as a black and white film, the sort that would star Bette Davis and George Brent, say. I think Hitchcock might have enjoyed directing this. It has a well-crafted blend of fun and malice.

Hide In The Dark builds to an abrupt, though very satisfying conclusion. It’s been an interesting change to read an American take on a classic mystery plot and I look forward to trying more from Frances Noyes Hart.

 

 

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A Victorian Seaside Murder Mystery

updated-seaborough-picture-no-peopleOur Victorian murder mystery A Seaside Mourning is set in the fictional town of Seaborough, a small resort in Devon. The plan was to think hard about coming up with a suitable name. However around the same time we were researching John’s family history. When we found that one of his ancestors had the unusual first name of Seaborough, it seemed exactly right.

In the novel Seaborough is in East Devon, an area often overlooked by holiday-makers who travel to the better-known parts of the English Riviera and the South Hams. It is a timeless landscape of rounded hills, old hedgerows, meadows and heaths; villages with thatched cottages and a few quiet seaside resorts. Their railway stations and branch lines are long gone.

The unspoilt coastline has red sandstone, zig-zag cliffs gradually fading to chalk near the county border. Together with the neighbouring county of Dorset, they make up the Jurassic Coast, Britain’s first Unesco natural world heritage site. We know the area well from walking the old footpaths and exploring the villages of my forebears. One of my ancestors was a Victorian police constable, probably much like the ones in the story.

Walk through the streets of any British seaside town, trace back the architecture and you’ll most likely find the beginning was a fishing village. The rise of the seaside resort – offering buildings and entertainment designed to attract tourists – gradually began in the eighteenth century. At that time the concept of an annual holiday for the masses didn’t exist. The wealthy tended to travel abroad on the classical Grand Tour or over-winter on the Continent. Working people had neither the money nor paid leisure to explore new places.

From the mid-1700s physicians began questioning whether sea-water might have healing properties similar to those of spa water. An enterprising Sussex physician Dr. Richard Russell set up a house for patients in the fishing village of Brighthelmstone in 1753. ‘Taking the waters’ at inland spa resorts was fashionable and money was to be made from rich invalids – and hypochondriacs – so there may have been some self-interest involved!

Dr. Russell published works on the rejuvenating powers of sea-bathing and drinking salt water, claiming his treatments cured enlarged glands and all manner of ailments. As well as swimming, his patients were immersed in baths of salt water and encouraged to ‘promenade’ in the sea air. This quickly became prevalent medical opinion.

Just as today, landowners and speculative builders were quick to spot a business opportunity. Scarborough on the coast of Yorkshire had the best of both worlds. Mineral water had been discovered there in the early seventeenth century and they had a flourishing spa by the beach. Wheel out the bathing-machines and the town was well-placed to develop into England’s earliest seaside resort.

Villages along the south coast in particular offered a mild climate and an easier journey from the capital. They began to throw up lodgings suitable for well-to-do visitors. Theatres and assembly rooms were built, promenades and sea-front gardens laid out. New resorts advertised their picturesque scenery, carriage tours and health-giving benefits.

Jane Austen satirised this new enthusiasm in her last unfinished novel, Sanditon. Interestingly Reginald Hill did a witty take on Sanditon – one of his lovely literary jokes – in his Dalziel and Pascoe novel A Cure For All Diseases. Sidmouth in East Devon is a possible contender for Austen’s Sanditon, though several resorts also fit the clues. It’s most likely that Jane Austen was thinking of more than one place. The Austens enjoyed holidaying along the Channel coast. Their stays at Lyme Regis in 1803 and 04 famously inspired part of the setting of Persuasion.

Fashion played a part in putting a watering-hole on the map. When George III’s physicians recommended he try the sea cure in 1788, he chose the village of Weymouth on the Dorset coast. Liking its sheltered sandy bay, he returned many times, making Weymouth one of England’s oldest seaside resorts.

His son, later the Prince Regent, vastly preferred Brighthelmstone, nearer London. Under his patronage it expanded rapidly to cater for his younger and wilder set. It has never lost its stylish and racy reputation. The spelling changed to suit its pronunciation and a new saying became widespread. The wealthy patient often tried the cure of Doctor Brighton.

Some towns started out as the vision of a single developer. In the 1780s a wealthy merchant called Sir Richard Hotham bought up land around the Sussex fishing village of Bognor. He intended to design a purpose-built resort modestly named Hothampton and entice the King away from Weymouth, making himself a second fortune. George III never obliged and the town reverted to Bognor soon after Sir Richard’s death. He did leave the townspeople several fine terraces and a splendid park.

New resorts received a boost to their fortunes when the Napoleonic wars closed the Continent to travellers. Prosperous invalids and people living in seclusion often settled by the sea in smart new villas for the gentry. Lady Nelson came to live at Exmouth in East Devon, after Nelson’s association with Lady Emma Hamilton became public knowledge.

Hunstanton features briefly in our Inspector Abbs novella A Christmas Malice, set just after his case in Seaborough. This West Norfolk resort came about as the scheme of one man in 1846. Henry Le Strange, an architect and local landowner built a hotel on an empty headland as the flagship of his new town. A typically enthusiastic Victorian ‘entrepreneur’, he gathered investors to fund a railway line from King’s Lynn to his planned site, which was named after the nearby village of Old Hunstanton. It took another 16 years before the railway arrived and further building work began.

Many resorts can date their growth to the arrival of the railway. It became the custom for middle-class Victorian families to send their children to the seaside with nannies and nursery-maids. The first pleasure pier had been constructed at Ryde on the Isle of Wight, as early as 1814. Almost a hundred more followed, mostly in England and Wales. The Bank Holiday Act of 1871 gave workers four days off – five in Scotland. On Whit Monday and in August, railway companies laid on ‘Bank Holiday Specials’ for the day-trippers pouring into popular resorts. At last accessible for the pleasure of ordinary working people, the seaside resort as we know it today had arrived.

In A Seaside Mourning, Seaborough is expanding. It is autumn 1873 and the town has its railway branch line. New houses are going up and some businessmen are keen for a pier and other amenities to be developed.

Many of the characters are ‘on the make’, jostling for more money and social position. Some are fighting for security in a precarious society shadowed by the workhouse. Even Inspector Josiah Abbs is not safe. This was an age when policemen were not considered gentlemen. A detective was treated by the well-off as a distasteful necessity, an embarrassment who should call at the tradesmen’s entrance.

Abbs cannot summon suspects to interview if they are his social ‘betters’ and he must catch a murderer without making enemies. Dismissal without a reference is always a threat. He and his young side-kick Sergeant Ned Reeve, though very different characters, are both outsiders in Devon. They don’t quite know what to make of one another yet but they’re determined to solve the case somehow…

A Seaside Mourning is now available in paperback and on most eBook readers. Just click on the link below for more information:
http://www.amazon.co.uk/ebooks/dp/B00JEHLABI/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1444989962&sr=1-1&keywords=seaside+mourning

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Join us on Goodreads

We are now playing a more active role on our Goodreads page.

You’ll find a list of all our books there, plus information on what we’re reading.

There’ll be giveaways of signed copies of our paperbacks coming up, plus publishing and writing news.

The page also gives you an opportunity to ask us questions about our work.

So just click on the Goodreads site at http://www.goodreads.com type in John Bainbridge in the Search. There are several other John Bainbridge’s so enter one of our book titles as well, say Wolfshead, or A Seaside Mourning etc.

If you like, please join us on the Goodreads page as a friend…

Here’s the page address again – http://www.goodreads.com

 

 

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