Codename Kyril is a British television spy series first broadcast in 1989 and based on the novel A Man Named Kyril by John Trenhaile. I have to admit, I haven’t read the book, so I’m not sure whether the television series is close to the book.
We recently acquired this on DVD. For some reason I missed it on its 1989 transmission. But beware: the TV series was edited down for a TV film after the original transmission, and a great deal cut out. So if you get the DVD, make sure it’s the full version – 209 minutes.
Codename Kyril was probably the last great addition to the canon of Cold War spy dramas, and has the feel of a John Le Carre, though with more action sequences. This is a real edge of the seat programme, so take the phone off the hook and don’t answer the door. It was scripted by John Hopkins, who also co-scripted the TV version of Le Carre’s Smiley’s People.
It has some wonderful actors, notably Edward Woodward, Peter Vaughan, Ian Charleson, Denholm Elliot, Richard E. Grant and Joss Ackland – all perfectly cast and thoroughly believable in their roles.
Unlike a lot of Cold War spy dramas, you get to know who the traitors are early on. But this doesn’t take anything away from the tension. Indeed, it increases the suspense as you wonder when they’ll be found out.
Marshall Stanov, head of the KGB – a mesmerising performance by the late and great Peter Vaughan, discovers that there’s a traitor in the Moscow Centre leaking secrets to MI6. He despatches KGB agent Ivan Bucharensky (Ian Charleson) to London as a supposed defector with the codename Kyril. Stanov fakes a diary, purportedly by Bucharensky, which might suggest who the traitor is. The idea being to lure out the traitor.
The head of MI6 (Joss Ackland) orders his best agent Michael Royston (Edward Woodward) to capture Kyril and prevent the KGB from getting him back, lest he betrays the British mole in Moscow Centre.
In reality, of course, Kyril knows nothing, but his supposed knowledge makes him a target for both sides in this exciting war of nerves. Kyril is hunted both by MI6 and the KGB and his evasion methods and the use of tradecraft makes for gripping viewing.
And is the KGB the only organisation with a traitor in its ranks, or have the Russians penetrated MI6 as well?
Rather like in the best of Le Carre, the Great Game is played out like a game of chess, one move forwards and then another backwards.
I’m not going to say any more about the plot, because this is a programme you really do need to see for yourself.
The production values are excellent, the script literate and the direction by Ian Sharp stunning.
I’m thrilled the Cold War is over (I think!), but how we miss those Cold War spy dramas.