Tag Archives: #histfic

Finding Novel Locations

We’ve been in York, searching out locations for the third William Quest novel. Interesting to walk around a city getting atmosphere for an historical thriller set in 1854. As an historical location, York is easier than most. Such a lot survives, compared to other places in Britain.

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York Minster

In the first two books The Shadow of William Quest and Deadly Quest, my hero is mostly adventuring in London – a place which has changed a great deal since the mid-Victorian period. But the Victorian elements can still be sought out even there, though they are few and far between. I’ve spent such a lot of years studying Victorian London that it seems very familiar to me. Indeed, modern London seems strange whenever I’m there.

York is a joy. Although there has been modern development and new shop fascias, many of the streets would still be recognisable to a man from 1854. In my book, William Quest has never been to York before, so he’s lost one of the great advantages he’s had while  carrying out his often dubious activities in London – which he knows like the back of his hand.

For anyone who’s never encountered William Quest, he’s a mysterious figure, usually armed with a pistol and a swordstick, who rights wrongs, defends the weak against the strong, fights corruptions and has his own occasional vigilante methods of dealing with wrongdoers.

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Grape Lane

 

But in this book he’s having to take on the role of detective as well, solving a puzzle that has baffled the citizens of York…

And it means peril, high adventure and a sinister conspiracy….

Having spent the past couple of months writing the third Quest (no title as yet), it’s great to revisit familiar old haunts in York – though I confess to spending a lot of time in bookshops. York has some great second-hand bookshops!York October 2017 011

 

 

 

We go to York quite often and always do a lot of walking around the streets, but I felt I was at the point in the novel where I wanted to see again some of the places I’d mentioned in the chapters written so far. There is one particular street, Tanner Row, which appears in the book and which I didn’t really know at all  – an important street leading to what was once York’s original railway station. The one someone like Quest would have used in 1854.

This original railway station was within the city walls, the present station, though Victorian and magnificent is outside the walls. Much of the old station still exists, though it’s been revamped as offices for the city council.

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Tanner Row

Nearer to the Minster, we walked the streets where the mystery occurs which provides my novel with its plot – the area around Stonegate and Grape Lane. I know these streets very well, but it was valuable to stroll through them with my characters in mind. It’s the little details that make the difference when you are imagining fictional characters in a real landscape.

Most of my novels are set in real places. I often get ideas for stories by just going for a walk. The whole story-line of my 1930’s Scottish novel Balmoral Kill changed when I walked around Loch Muick in the Highlands. You could re-enact the final duel in that novel across a real landscape if you wanted.

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The Old Railway Station

I find as a writer that just going out for a walk is the greatest source of inspiration.

Some areas of York have changed since the 1850s. The streets known as the Water Lanes, down on the River Ouse, were a rookery at that time.  In the 1870s a new road, Clifford Street, was driven through and much of the rest redeveloped. It’s still Victorian and charming to walk through, but not quite the setting Quest would have known.

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On the city walls

Much the same happened in London. Jacob’s Island, where my book Deadly Quest comes to an end, was a much viler rookery than the Water Lanes. Charles Dickens used it for the ending of Oliver Twist, where it is Fagin’s final lair. Today Jacob’s Island is full of very expensive luxury apartments. If the ghosts of the poor devils who lived in the diseased original Island could come back and see it, I do wonder what they would think?

I came back from York enthused by what I’d seen. The visit spurred me on to finish the book. I hope it will be out at the turn of the year.

Though I still don’t have a title!

If you haven’t read the first two William Quest novels, there are links below. Both are available in paperback and on Kindle – and there’s a free Kindle App available for your Smartphones if you like to read on the move.

 

 

 

 

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The Limehouse Golem

Last week, we went to see the film The Limehouse Golem, based on Peter Ackroyd’s novel Dan Leno and the Limehouse Golem, which I blogged about a couple of years ago. (I’ve put my original blog on the novel below to save you searching.) The Limehouse Golem [DVD] [2017]

It’s a terrific take on the novel, with some great acting, a literate script by Jane Goldman, and some excellent sets that take you right back into Victorian London. The photography is superb.

I’m not going to say much about the plot, because I’ve mentioned the salient parts in the book blog below. Jane Goldman has made a few minor alterations to the plot for film purposes, but these make no difference to the story.

I’m always wary of filmed Victorian crime stories, because the slightest error jars. But there are no errors here. I was completely absorbed by the telling of the tale. Rarely have I seen a crime novel set in this period so well done.

This film stars Bill Nighy as Inspector Kildare, his role slightly expanded from the novel. The part was to have been played by Alan Rickman – one of our favourite actors – who sadly died early in the project. But Nighy makes an excellent Kildare, every inch the Victorian policeman. And how good to see Nighy get a lead credit.

There’s a great deal of British acting talent here – familiar faces such as Daniel Mays, Clive Russell, Eddie Marsan and Henry Goodman. All looking as though they’ve emerged from the streets of Limehouse.

But the film rises with the talents of two newcomers to me. Douglas Booth is quite stunning in the role of Dan Leno, totally believable as perhaps the greatest of music hall showmen. I’ve always had a great interest in Leno, a fascinating individual who forged the way we perceive popular entertainment of this kind, from straight entertainment, jests and songs, pantomime to burlesque, Leno was the grand master. His relatively early death in 1904 shocked the nation.

The tragedy of music hall before this period is that we have only scratchy recordings of some of the best acts (we’ve got just such a recording of Leno). Not being able to see these stars visually makes it hard to grasp how good they might have been. I’m old enough to have seen some of the early twentieth century stars live on the stage. They were good indeed – we’ll not see their likes again. But few of the Victorians were filmed, then only silently.

But Douglas Booth surely captures a great deal of Leno’s magic. Here’s an actor to watch out for in the future.

The key role of Elizabeth Cree goes to Olivia Cooke. Cooke is as good as Booth in portraying the growing confidence of a music hall singer, caught up in the murderous twists of the tale.

Try and see it at the cinema if you can with an audience around you – more like a music hall atmosphere than watching it at home on DVD.

Though we’ll be adding it to our DVD collection when it’s out.

Here’s my blog on the original novel…

Dan Leno and the Limehouse Golem

Peter Ackroyd’s novel Dan Leno and the Limehouse Golem has now been out for over twenty years. Given my interests in Victorian crime and the history of the music hall I’ve always been meaning to read it.

Now I’ve finally got round to it and I can say that it’s a terrific read, evoking a real feel of the Victorian underworld in Ackroyd’s usual and very vivid writing style.

As a writer Ackroyd is well-known not just as a novelist but as an historian and biographer. If you haven’t read it I commend to you his London – A biography – perhaps the best of all recent histories of the city.

Dan Leno and the Limehouse Golem is not your usual crime read. It’s a deeply literary novel which happens to be about crime and the low-life and middle-class existence of Victorian London. And there’s a lot more to it than that. Ackroyd has a way of plunging you deep into this imagined vision of a past age.

For those who don’t know, Dan Leno was perhaps the greatest star of Victorian music hall. But he is not the only real-life character encountered in this book. We also see the struggling writer George Gissing and a glimpse of Karl Marx during his London exile.

This is a book which begins with a hanging and works backwards. We see how his key character Elizabeth Cree progresses as a music hall turn, the murders of a serial killer, the legend of the Jewish golem, a trial at the Old Bailey and pages from the diary of John Cree delineating many aspects of Victorian life – for this is a novel of multiple viewpoints.

Ackroyd is so very good at exploring the sinister hinterlands of the Victorian underworld. The author’s great knowledge of London shines through on every page. Terrible secrets are revealed and the ending is just stunning.

A novel you’ll want to read more than once – thoroughly recommended!

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The Third William Quest Novel

I’m now writing the third book featuring my series character William Quest, which hopefully will be out at the end of the year. Quest will find himself a long way from London fighting against new enemies and even greater dangers in York, one of England’s oldest cities.

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York Minster which plays a significant part in the new Quest novel

In the London novels (see below) Quest had the advantage over his enemies of knowing every street and alley. But York is new to him, so he’s disadvantaged from the start. And it is in York’s winding medieval streets and snickets that he faces a particular and menacing foe.

As York is one of our favourite places, I’m very much enjoying setting a book there. It’s a wonderful setting for a mystery adventure.

If you haven’t read the first two books in the series, do please click on the links. They’re both out in paperback and on the Kindle eBook reader for your smartphone, Kindle or laptop – just download the free app when you order the books. And if you have read the books and enjoyed them, I’d really appreciate it if you would leave a quick review on the Amazon sales pages.

Leaving reviews helps all Indie Authors stay in business and keep writing. 

Please do tell your friends and fellow readers. Word of mouth is the very best form of advertising.

 

 

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Our Victorian Murder Mystery On Sale

A Seaside Mourning is on sale this week on Kindle for just 99 pence/cents. We thought we’d reblog this piece on the background to the novel. Please click on the link on the end of this blog to start reading or to order. It’s also available in paperback.updated-seaborough-picture-no-people

A Seaside Mourning is set in the fictional town of Seaborough, a small resort in Devon. The plan was to think hard about coming up with a suitable name. However around the same time we were researching John’s family history. When we found that one of his ancestors had the unusual first name of Seaborough, it seemed exactly right.

In the novel Seaborough is in East Devon, an area often overlooked by holiday-makers who travel to the better-known parts of the English Riviera and the South Hams. It is a timeless landscape of rounded hills, old hedgerows, meadows and heaths; villages with thatched cottages and a few quiet seaside resorts. Their railway stations and branch lines are long gone.

The unspoilt coastline has red sandstone, zig-zag cliffs gradually fading to chalk near the county border. Together with the neighbouring county of Dorset, they make up the Jurassic Coast, Britain’s first Unesco natural world heritage site. We know the area well from walking the old footpaths and exploring the villages of my forebears. One of my ancestors was a Victorian police constable, probably much like the ones in the story.

Walk through the streets of any British seaside town, trace back the architecture and you’ll most likely find the beginning was a fishing village. The rise of the seaside resort – offering buildings and entertainment designed to attract tourists – gradually began in the eighteenth century. At that time the concept of an annual holiday for the masses didn’t exist. The wealthy tended to travel abroad on the classical Grand Tour or over-winter on the Continent. Working people had neither the money nor paid leisure to explore new places.

From the mid-1700s physicians began questioning whether sea-water might have healing properties similar to those of spa water. An enterprising Sussex physician Dr. Richard Russell set up a house for patients in the fishing village of Brighthelmstone in 1753. ‘Taking the waters’ at inland spa resorts was fashionable and money was to be made from rich invalids – and hypochondriacs – so there may have been some self-interest involved!

Dr. Russell published works on the rejuvenating powers of sea-bathing and drinking salt water, claiming his treatments cured enlarged glands and all manner of ailments. As well as swimming, his patients were immersed in baths of salt water and encouraged to ‘promenade’ in the sea air. This quickly became prevalent medical opinion.

Just as today, landowners and speculative builders were quick to spot a business opportunity. Scarborough on the coast of Yorkshire had the best of both worlds. Mineral water had been discovered there in the early seventeenth century and they had a flourishing spa by the beach. Wheel out the bathing-machines and the town was well-placed to develop into England’s earliest seaside resort.

Villages along the south coast in particular offered a mild climate and an easier journey from the capital. They began to throw up lodgings suitable for well-to-do visitors. Theatres and assembly rooms were built, promenades and sea-front gardens laid out. New resorts advertised their picturesque scenery, carriage tours and health-giving benefits.

Jane Austen satirised this new enthusiasm in her last unfinished novel, Sanditon. Interestingly Reginald Hill did a witty take on Sanditon – one of his lovely literary jokes – in his Dalziel and Pascoe novel A Cure For All Diseases. Sidmouth in East Devon is a possible contender for Austen’s Sanditon, though several resorts also fit the clues. It’s most likely that Jane Austen was thinking of more than one place. The Austens enjoyed holidaying along the Channel coast. Their stays at Lyme Regis in 1803 and 04 famously inspired part of the setting of Persuasion.

Fashion played a part in putting a watering-hole on the map. When George III’s physicians recommended he try the sea cure in 1788, he chose the village of Weymouth on the Dorset coast. Liking its sheltered sandy bay, he returned many times, making Weymouth one of England’s oldest seaside resorts.

His son, later the Prince Regent, vastly preferred Brighthelmstone, nearer London. Under his patronage it expanded rapidly to cater for his younger and wilder set. It has never lost its stylish and racy reputation. The spelling changed to suit its pronunciation and a new saying became widespread. The wealthy patient often tried the cure of Doctor Brighton.

Some towns started out as the vision of a single developer. In the 1780s a wealthy merchant called Sir Richard Hotham bought up land around the Sussex fishing village of Bognor. He intended to design a purpose-built resort modestly named Hothampton and entice the King away from Weymouth, making himself a second fortune. George III never obliged and the town reverted to Bognor soon after Sir Richard’s death. He did leave the townspeople several fine terraces and a splendid park.

New resorts received a boost to their fortunes when the Napoleonic wars closed the Continent to travellers. Prosperous invalids and people living in seclusion often settled by the sea in smart new villas for the gentry. Lady Nelson came to live at Exmouth in East Devon, after Nelson’s association with Lady Emma Hamilton became public knowledge.

Hunstanton features briefly in our Inspector Abbs novella A Christmas Malice, set just after his case in Seaborough. This West Norfolk resort came about as the scheme of one man in 1846. Henry Le Strange, an architect and local landowner built a hotel on an empty headland as the flagship of his new town. A typically enthusiastic Victorian ‘entrepreneur’, he gathered investors to fund a railway line from King’s Lynn to his planned site, which was named after the nearby village of Old Hunstanton. It took another 16 years before the railway arrived and further building work began.

Many resorts can date their growth to the arrival of the railway. It became the custom for middle-class Victorian families to send their children to the seaside with nannies and nursery-maids. The first pleasure pier had been constructed at Ryde on the Isle of Wight, as early as 1814. Almost a hundred more followed, mostly in England and Wales. The Bank Holiday Act of 1871 gave workers four days off – five in Scotland. On Whit Monday and in August, railway companies laid on ‘Bank Holiday Specials’ for the day-trippers pouring into popular resorts. At last accessible for the pleasure of ordinary working people, the seaside resort as we know it today had arrived.

In A Seaside Mourning, Seaborough is expanding. It is autumn 1873 and the town has its railway branch line. New houses are going up and some businessmen are keen for a pier and other amenities to be developed.

Many of the characters are ‘on the make’, jostling for more money and social position. Some are fighting for security in a precarious society shadowed by the workhouse. Even Inspector Josiah Abbs is not safe. This was an age when policemen were not considered gentlemen. A detective was treated by the well-off as a distasteful necessity, an embarrassment who should call at the tradesmen’s entrance.

Abbs cannot summon suspects to interview if they are his social ‘betters’ and he must catch a murderer without making enemies. Dismissal without a reference is always a threat. He and his young side-kick Sergeant Ned Reeve, though very different characters, are both outsiders in Devon. They don’t quite know what to make of one another yet but they’re determined to solve the case somehow…

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My Quest Novel On Sale

My Victorian thriller Deadly Quest is on sale for Kindle readers for just 99 pence/cents until late on Monday night. Just click the link below to have a look and to start reading for free…

This is to mark the fact that I’m now writing the third book in the William Quest series – it doesn’t have a title as yet. Unlike the first two books, which were set in London and Norfolk, this one is set in the winding streets and ginnels of York.

And – as Quest has never been to York before – this puts him at a considerable disadvantage as he faces menacing new foes.

I’ll let you know how the writing goes. Hopefully, the book will be finished by the end of the year.

Meanwhile, if you haven’t started the series, do seek out the first two books The Shadow of William Quest and Deadly Quest…

Enjoy the books…

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My New Book “Villain” Out Now

As some of you know, when I’m not writing mystery stories, I write historical tales and my new one is now out. Here’s my latest…

Villain – the third in The Chronicles of Robin Hood series – is now available for pre-order on Kindle. Publication date is 30th June. The paperback is already available. Order before the publication date and you get either version discounted – the price goes up on the 30th.Villain Cover

Well, here’s what it’s about:

“AD 1203. Plantagenet England. A gripping historical novel and the third instalment of The Chronicles of Robin Hood. Robin of Loxley is in exile in the dark forests of the north, when a killing and a betrayal drive him back to his old battleground of Sherwood Forest.

A good man is slain and the full terror of the Sheriff of Nottingham and Sir Guy of Gisborne is unleashed. With the King in Normandy and a people’s champion dead, only warriors outside the law are there to fight for the poor and desperate.

Outnumbered and surrounded by his enemies, Robin Hood is forced into waging a murderous campaign against the forces of evil.

Fighting against overwhelming odds, the outlaws divided and with a vicious warlord attacking the people of Sherwood, can Robin Hood and just a few of his men hold back the forces of oppression?

An exciting new historical novel by the author of Loxley and Wolfshead.”

To order just click on the link to pre-order the Kindle version. Look under “Books” for the paperback.

Please do share and tell your friends. Small publishers taking on the mighty publishing empire of Rupert Murdoch need word of mouth advertising.

For more details about my historical writing do check out my other blog at http://www.johnbainbridgewriter.wordpress.com 

 

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The Victorian Underworld

A little while ago, I blogged about Kellow Chesney’s classic book The Victorian Underworld, one of the best and most readable introductions to the subject for the general reader.

Donald Thomas’s book has the same title and covers some of the same ground, but it’s well worth a read as well. Reading both books will give you a good working knowledge of the subject and suggest avenues of research you might care to follow.

Mr Thomas is well known as an academic, an historian and biographer, and as a writer of crime fiction – I reviewed his novel Jekyll, Alias Hyde recently. He has also written a detective series and some Sherlock Holmes stories.

The Victorian Underworld, was first published in 1998 and was shortlisted for a CWA Golden Dagger.

Thomas begins with a prologue entitled “Darkest England,” setting the scene for the Victorian townscapes and countryside where the underworld thrived.

Mr Thomas pulls no punches in exposing of the hypocrisy of Victorian Britain. Sheer poverty drove people towards crime because of the basic need to survive.

On a personal note, I must say I get a little weary of present-day politicians preaching the merits of Victorian values,  and yearning to recreate such a world. Victorian Britain must have been an interesting place to live if you were very wealthy – but for the vast majority, it was a long struggle often just to put bread on the table.

As Aristotle pointed out a few thousand years ago, “poverty is the main cause of crime and revolution.” The Victorian Establishment suppressed – often with considerable brutality – most attempts to even up the odds.

The Underworld of the Age was an inevitable reaction to a Victorian lack of decency and fairness. Although there was a great deal of casual crime, there was also a considerable amount of criminal organisation. Mr Thomas looks at both in great detail.

Here we have the thieves, the swell mob and the pornographers, the way justice was loaded against the poor and there’s a lengthy examination of corruption at the heart of the Establishment and, in particular, at Scotland Yard.

There is a very good chapter on the stealing of the Crimean gold from a moving train, fictionalised in a book and a film by Michael Crichton as The First Great Train Robbery. The reality of the crime is much more sensational than any work of fiction.

Mr Thomas deals well with the subject of Victorian sexuality – there were, after all, tens of thousands of prostitutes on the streets of London.

He devotes a chapter to the mysterious memoirist called Walter, whose voluminous My Secret Life, gives some vivid pen-sketches by a man who was a customer of these women. There’s also a look at W.T Stead’s exposure of child prostitution and a glance at Victorian homosexuality.

Mr Thomas’s book was first published a few years after I first studied the Victorian Underworld as an undergraduate, doing a minor in Victorian social history at the University of East Anglia.

I seem to recall that, apart from the Kellow Chesney book, I was obliged to seek out primary sources – and so one should. But for the general reader without a great deal of time, these two books by Mr Chesney and Mr Thomas, offer a very readable and fascinating introduction.

My interest in the history of the Victorian Underworld has never wavered. I’ve read a lot more since graduation and tried to portray this world as accurately as possible in my own novels The Shadow of William Quest and Deadly Quest.

 

 

 

 

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Magsmen, Gonophs, Macers, Shofulmen and Screevers

What are Magsmen, Gonophs, Macers, Shofulmen and Screevers?

In my blog on Kellow Chesney’s book The Victorian Underworld I mentioned a few of the underworld’s “technical terms”. Kellow Chesney gives a very comprehensive list at the back of his book, but I think it’s only fair to give an explanation of the ones I mentioned.

They would have been very familiar terms to the characters in our books, and – certainly as far as William Quest goes – many of the characters in that series of books qualify to be included under one or more of these terms.

So here goes:

Magsmen – well basically a cheat or a sharper of the lowest kind – the sort who’d probably try and cheat you in a pub or out on the street. They’re still around so watch out!

Macers – Macers play the same sort of game as magsmen but at a slightly higher level. Think con-artist in modern terms and you’re more or less there.

Gonophs – gonophs are minor thieves and often the less skilled sort of pickpockets. Poverty drove many Victorians to crime in this way. My character William Quest starts his life on the streets as a gonoph, but becomes more skilled as time goes by.

Shofulmen – These individuals were purveyors of bad money. Not uncommon in the earlier decades of the century.

Screevers – Although it became an occasional name for pavement artists, the original screevers were writers of fake testimonials – quite a handy vocation in Victorian times when you might need a phony reference, especially if you’d been dismissed by your employer without a character. My character Jasper Feedle partakes in screeving amongst his other many talents.

If you want to enter the dangerous Victorian Underworld do seek out Kellow Chesney’s book – or if you want to walk the dangerous alleys of Victorian London do try my William Quest novels…

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The Victorian Underworld by Kellow Chesney

If any one book inspired me to write my William Quest Victorian thrillers it’s this one, Kellow Chesney’s very readable and scholarly book on the Victorian underworld. It was first published in 1970 and – for me – is the standard work on this fascinating subject.Victorian Underworld: Chesney, Kellow

I first encountered it when I was an undergraduate at the University of East Anglia in Norwich. Although I majored in literature, I did a minor in nineteenth-century social history. The underworld was only a small part of my studies, but discovering Kellow Chesney’s book sent me of on a wider reading programme, both in secondary reading and the primary sources.

When I’m asked to recommend a book on the Victorian underworld this is the one I suggest as a first read. There are several other titles I like – and I hope to give these a mention on the blog in the coming months – but Kellow Chesney’s book is the most comprehensive and the best introduction.

It’s all here, starting with a walk through the mid-century streets of London – and how vividly the author portrays the place. This is no dull work of scholarship, it’s a page-turner as exciting as all the best mystery thrillers.

Then from the main streets frequented by the richest members of society, Kellow Chesney takes the reader to the borders of the underworld, the places where the dispossessed and those forced into crime to survive are obliged to lurk – and the boundaries between the rookeries and the smart streets of society are often back to back.

We are then taken on a journey into the rookeries themselves. Kellow Chesney conjures them up in all their awfulness. It is impossible to understand the Victorian criminal underworld unless you can understand the causes of crime.

Here are the beggars, the pick-pockets, the footpads and the swell mob. The skilled cracksmen who break the safes and steal the jewellery of the richest members of society. Here are the magsmen, gonophs, macers and shofulmen. The screevers and the Newgate mob. (I’ll talk more about these in a blog early next week.)

There were perhaps 80000 prostitutes in Victorian London alone. Kellow Chesney deals sympathetically with their plight, whether they were working the poorest streets in the East End for pennies or selling themselves for much more in the night houses in the West End.

The book is wonderfully illustrated, mostly with the sketches of the great Gustave Dore, adding to the feeling of being there so brilliantly evoked in Mr Chesney’s words. If you can, seek out one of the original hardback editions – the pictures are not so well reproduced in the paperback editions.

When I came to write William Quest, Kellow Chesney’s book was the first I re-read. If you want a good understanding of the Victorian underworld, I commend it to you.

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My Latest Book Is Out!

William Quest is back! Deadly Quest (A William Quest Victorian Thriller Book 2) by [Bainbridge, John]

My new novel, DEADLY QUEST, the second in the William Quest series, is now available for pre-order on Kindle at a special offer price.

Publication day is Friday September 30th. The paperback version will be out at the same time. The price will increase that weekend so please do order today for the bargain price.

And if you haven’t read the first novel, The Shadow of William Quest, it’s available both as a Kindle e-Book and in paperback.

Please share this post with your friends, whether they enjoy historical fiction, crime fiction or just have a love of adventure stories…

Regards, John

Here’s more about DEADLY QUEST, with a few readers’ comments on William Quest:

“A reign of terror sweeps through the Victorian underworld as a menacing figure seeks to impose his will on the criminals of London.

On the abandoned wharves of the docklands and in the dangerous gaslit alleys of Whitechapel, hardened villains are being murdered, dealers in stolen goods and brothel keepers threatened.

The cobbles of the old city are running with blood, as pistol shots bark out death to any who resist.

Who can fight back to protect the poor and the oppressed? The detectives of Scotland Yard are baffled as the death toll mounts. There is, of course, William Quest – Victorian avenger. A man brought up to know both sides of the law.

But Quest faces dangers of his own.

Sinister watchers are dogging his footsteps through the fog, as Quest becomes the prey in a deadly manhunt, threatened by a vicious enemy, fighting for his life in a thrilling climax in the most dangerous rookery in Victorian London.

Dead Quest or Deadly Quest?”

An historical crime story by the author of The Shadow of William Quest, A Seaside Mourning and Wolfshead.”

What readers are saying about William Quest…

A page turner of a mystery from the start… I couldn’t put this one down for long as I was caught up in the twists and turns of this richly constructed tale.

Great author, fantastic book. Such a unique story and very well told.

A new hero for these times has entered literature, and is destined to capture the attention of all those yearning for a better chapter within the human saga – it is William Quest.

Great read! Couldn’t put it down.

Superb plotting, believable characters, and a very effective writing style

…a real feel for history and storytelling.

Here’s the Link to Order:

https://www.amazon.co.uk/Deadly-Quest-William-Victorian-Thriller-ebook/dp/B01LYGNCNQ/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1473791400&sr=1-1&keywords=Deadly+Quest

 

 

 

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