Tag Archives: Irish Fiction

Harry’s Game – The Television Series

A few weeks ago I wrote about Gerald Seymour’s classic thriller Harry’s Game.Product Details

Recently we watched the television series of the book, made by Yorkshire Television in 1982 – at a time when the Troubles in Northern Ireland were still continuing.

For more about the story itself please see my previous blog.

It’s always interesting to see how a thriller is adapted for television, and Harry’s Game is more faithful to the book than most. Although some scenes were filmed around Belfast, notably in the City Centre and the Falls Road, much of the location filming was carried out near the Yorkshire TV studios in Leeds, on a housing estate scheduled for demolition.

The filming has a gritty reality. For those of us who lived through the times of the Troubles, it was uneasy seeing Saracen armoured cars on the streets again, the reconstructed riots and soldiers dashing from street corner to street corner on foot patrol.

Seymour’s book relies very much on tenseness rather than violence to make its point. The superb direction of the film series, by the admirable Lawrence Gordon Clark, provides tension by the spadeful. Even if you know the book well, the film keeps you on edge.

One reason is that it’s thankfully free of incidental music, though there is the haunting end theme by Clannad. I wish that more directors of film and television would realise the importance of silence. If you’re showing tense scenes you don’t need an intrusive studio orchestra.

Lawrence Gordon Clark made his reputation in film documentaries and this shows in the realism here.

Not having seen the series since it first aired, I was interested to see how the acting stood up over thirty years later. The film is very well cast. The late Ray Lonnen – is quite superb as Harry, giving very much a portrayal of the character in the novel. The IRA gunman Billy Downes is played by Derek Thompson, best known now for his long-running role as Charlie Fairhead in the British hospital series Casualty.

Both characters in the book are two sides of the same coin – family men as well as combatants in an miserable kind of warfare. To give this premise reality, you need two strong leads, and both Ray Lonnen and Derek Thompson are very believable.

The film series has a very strong supporting cast: Maggie Shevlin as Mrs Downes, a mother trapped in a tragic time; Gil Brailey as the woman who comes to know and understand Harry; and Tony Rohr as the IRA commander – a chilling and subtle portrait that lives in your thoughts long after the film has ended. There isn’t a poor performance in the whole series.

I seem to recall that the programme was shown over three consecutive nights on its first airing. It was later repeated as an edited down film, so if you’re buying this make sure you’re getting the original three-parter. The box set we have has a great interview with Ray Lonnen, who came across as a lovely chap.

Thirty-five years later this is British television at its best – a drama that makes you hold your breath.

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Harry’s Game by Gerald Seymour

Out of the 1970s came a series of what I call journalist thrillers, written with a considerable realism and usually by writers who’d been reporters. Perhaps the most famous example is Frederick Forsyth’s The Day of the JackalProduct Details

One of the very best is Gerald Seymour’s Harry’s Game, set mostly in Belfast during the Troubles of the mid 1970s, at a time when the warfare between the British Army,  the security services  and the IRA  was at its height.

Gerald Seymour was a reporter on the streets of Belfast at the time and it shows.

To pull off this sort of gritty realism you really need to have walked those troubled streets and estates of Belfast – the Falls Road, the Shankill, the Ardoyne, the Ballymurphy… Seymour did and you can feel the gripping fear that beset these places at the time in every page of  Harry’s Game – these aren’t experiences that can be faked. You need to have been there.

Interestingly, the violence level in Harry’s Game is not over-excessive. Characters are beaten and shot but it never goes beyond that. Harry’s Game is not as graphically violent as many a more modern thriller.

Gerald Seymour achieves menace by the tenseness of the writing, the dangers of men having to live double lives in hostile environments. Undercover work is rarely as well presented as here.

Harry’s Game begins with the assassination of a British cabinet minister by an IRA gunman, Billy Downes, who after the shooting returns to his home in Belfast. On the direct orders of the Prime Minister, and without telling the army or most of the security services, a section of British Intelligence decides to place an agent in Belfast to discover the identity of the assassin.

They use Harry Brown, an army captain of Irish ancestry, who’s previously lived undercover in the Middle East and had a subsequent breakdown. Harry moves into a boarding house off the Falls Road, posing as a merchant seaman with republican sympathies.

Meanwhile Billy Downes tries to sink back into his former life with his wife and children, though brought out at one point to kill a soldier.

There is a kind of parallel between Harry Brown and Billy Downes. Both work undercover for their respective armies. Both are fearful of discovery. Both are under enormous pressure as the people hunting them down get ever closer. Both are victims of a tragic conflict and are neither good nor bad in themselves.

This very well-crafted book was Gerald Seymour’s first novel, though it doesn’t come over as anything but skilled. For sheer suspense it’s hard to beat. I think it captures Belfast very well at that moment in time. Reading it again, now, and remembering those days, it’s all the more remarkable that, politically, Northern Ireland has moved on so much.

The book’s tragic ending still has the power to shock.

 

 

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