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The Murder in Romney Marsh by Edgar Jepson

Edgar Jepson (1863-1938) was a popular detective novelist of the Golden Age. He translated Maurice Leblanc’s Arsène Lupin stories and also wrote supernatural tales. Jepson was the grandfather of novelist and scriptwriter, Fay Weldon. The Murder in Romney Marsh (Black Heath Classic Crime) by [Jepson, Edgar]

The Murder in Romney Marsh was first published in 1929. The chapters have cryptic titles, a popular device at the time. A businessman named Robert Garfield has been murdered in the village of St Joseph on Romney Marsh. Garfield lived in London and used his country home, Applecross Farm, as a shooting-box. James Carthew, a young inspector is sent from Scotland Yard to assist the local police, who are -in time-honoured fashion – baffled.

Inspector Carthew has a jaunty air about him. He’s been waiting for a chance to prove himself and feels this case may be it. At first, he passes himself off as a young gentleman who wished to amuse himself on a holiday. When he first examines the murder scene, he pretends he’s out rough shooting, looking for spent cartridges.

I stuck my eyeglass in my eye – nothing gives a man an air of greater simplicity than an eyeglass properly used. Has he been reading Dorothy L. Sayers?

Superintendent Goad, Carthew’s boss dislikes him because:

He preferred men of his own kind, men who had put in from seven to twelve years as ordinary police constables before they passed into C.I.D., whereas, after being demobilized and spending my gratuity, I had only spent two years as an ordinary constable before I passed into it. Also he did not like in me what I once heard a business man call ‘The Public School Taint’ in me.

Inspector Carthew has a conceited manner, full of confidence, though he is astute. He doesn’t want to share his findings with Collins, the local policeman. He’s a bit of a user and very keen to get full credit at the Yard for his work.

He narrates the story in first person, not the most common choice for detective novels. It gives an immediacy as the reader knows all his thoughts on deduction but we lose a more rounded view of what’s happening. The structure has to stay completely linear. I noticed how everything goes Carthew’s way. From the moment he arrives on the Marsh, he finds one clue leads to another. The jigsaw fits in place without setbacks.

Carthew is an interesting character. For a Scotland Yard inspector, he isn’t wholly moral. Once he falls for a suspect, he’s prepared to bend the rules, holding back facts from Collins and obliquely steering the lady out of trouble. We’re left to wonder whether Superintendent Goad dislikes Carthew for being ‘cocky’ and not one of the lads. He’d never stand for rule-bending so he can’t know about that.

Or is Goad prejudiced about a personable young chap with an old school tie and fast promotion? For there’s something likable about Carthew and he is on the side of justice – if not the letter of the law. Jepson’s characterisation makes Inspector Carthew very believable and way above a stock detective.

All the village characters are well-drawn, although a couple of foreign villains with exaggerated accents seemed strangely familiar. There are some interesting glimpses of class attitudes of the time. The local vicar is an old comrade of Carthew’s from the War. Here he discusses the vicar’s step-daughters who are hard up, have nothing useful to do and rarely meet anyone new:

Wouldn’t it be better for them to get a job – shorthand and typewriting or something of that kind?

No, such jobs lead to nothing. And then it would mean their living alone in a big town and long hours and poor pay and associating with people of a lower class.

The novel has a convincing atmosphere of Romney Marsh – in Kent, on the border with Sussex. There are some lovely descriptions of the haunting, flat landscape with its autumn mists seeping over the sea wall, plank-bridged dykes, warm-tiled cottages and fine, ancient churches. The Marsh is sheep country and its shepherds are known as lookers. A sinister name, harking back to the area’s smuggling history. This is a fascinating area, for ever associated with Russell Thorndike’s wonderful Doctor Syn stories.

There’s much to enjoy in The Murder in Romney Marsh, especially if you want to get a feel for what rural England was like between the wars. This is a good, escapist, detective yarn. A typical example of the kind so popular with readers trying to forget the horrors of the Great War and blot out the shadow of the war to come. It isn’t too hard to get the murderer though the conclusion is very well-reasoned and the outcome for Inspector Carthew is surprising. Well worth a read.

 

 

 

 

 

 

 

 

 

 

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Guest Post by T.G. Campbell, Author of the Bow Street Society Mysteries

We’re delighted to have a guest post this week by crime novelist T.G. Campbell, author of the wonderful Bow Street Society mysteries.

We love the two books in the series so far, The Case of The Curious Client and The Case of The Lonesome Lushington. They bring an engagingly fresh approach to historical detective novels with a collaborative sleuthing team of vividly-drawn, lovable characters. The cases are intriguing page-turners with Conan Doyle-style twists and the rich setting of 1890s Victorian London is lovingly evoked –

MURDER OF THE LONE DETECTIVE

Admirers of the World’s Greatest Detective would agree there is only one Sherlock Holmes. Purveyors of the English Golden Age of Crime Fiction would admit there can be only one Belgian solving crime with his “little grey cells”. Skip over the pond to the mean streets of 1940s Los Angeles and the likelihood is you’ll think of Humphrey Bogart’s Phillip Marlowe. What do all these detectives have in common? They stand alone in their respective worlds as the pinnacle of deductive reasoning. They also have the tendency to keep their thoughts to themselves while the readers, like Doctor Watson and Captain Hastings, scramble to make any sense of things. Yes, we, as readers, are shown precisely what Holmes, Poirot, and Marlowe see & hear but we are often left awestruck by not only a mystery’s solution but also the ingenuity of the Detective’s deductive reasoning. The Case of the Curious Client: A Bow Street Society Mystery by [Campbell, T.G.]

Whenever we read a mystery featuring any of these Detectives we bring to it the subconscious expectation that it will be they who will lift the veil of confusion and resolve the conflict caused by the murder. They, and Detectives like them, may be assisted by others along the way but, generally, the sidekick doesn’t step in at the last moment to announce the correct identity of the murderer. This rule applies even in novels where the Detective openly airs his internal musings to a trusted colleague or friend. In short, these lone Detectives are put on a plinth as masters of their craft by us as readers – and there isn’t anything wrong with that. In fact, it is this consistent element within these stories which serves to reassure us that all will be well in the end. We have seen the Detective work his/her magic previously which makes us confident he/she will do so again.

What if there was more than one Detective, though? Furthermore, what if there were several Detectives who stepped into a mystery series only when they were required? No longer would you have this omnipotent Detective who always kept his cards close to his chest. Instead you would have a collective whose very success relied on their relying upon one another’s abilities. The Detective’s plinth would be lowered and we, as readers, would feel equal to the Detectives we were reading about rather than to their bumbling sidekick.

This is the idea I wanted to explore when I created the Bow Street Society. Every one of its members has been recruited, from the public, because they hold a great deal of knowledge in a particular field and/or are adept at a specific skill. For example, the first book, The Case of The Curious Client, features a Magician, Architect, and Veterinary Surgeon among the Detectives investigating the central mystery. They are not hard-boiled Private Detectives, retired police officers, or incredibly scientifically minded. They are, in short, average. Yet it is their averageness, and passion for their chosen occupation, which makes them perfect for solving crime. For example, an autopsy performed by the Veterinary Surgeon on a dead cat in The Case of The Curious Client helps the collective reach the final solution. I consciously made the decision that there wouldn’t be one, lone member of the Society who would deduce the solution. That is why, when it is given, they have all played a part in reaching the truth.

When it came to the Society’s next book, The Case of The Lonesome Lushington, I wanted to go one step further. The Architect, Lawyer, and Veterinary Surgeon who’d appeared in the first mystery were not included or even mentioned in the second. For the plain and simple reason their skills were not applicable to the case so they weren’t asked to investigate it. In the first book I’d stepped away from the idea of the lone, omnipotent Detective but in the second I’d stepped away from the idea of a static, rigid collective of Detectives, too.

One could argue that connections with characters can’t be formed if they’re not included in every book. I would beg to differ. Who is assigned to a case is decided upon by the Society’s Clerk, Miss Rebecca Trent. The reader doesn’t know who she’ll choose until the case has been accepted. Therefore part of the intrigue is discovering if your favourite character will be selected or not – this time. I fully intend to have reappearances of the Lawyer, Architect, and Veterinary Surgeon in future Bow Street Society books. Any connection the reader makes with particular characters would therefore never be in vain. The Case of The Lonesome Lushington: A Bow Street Society Mystery by [Campbell, T.G.]

There are, within this fluid collective, core characters that’ll always be featured to safeguard the reassurance of order, however. Miss Trent is one (she being the only person who knows the name of every Society member) and Mr Samuel Snyder, the Society’s Driver, is another. It must be pointed out that, though Miss Trent is the Society’s Clerk, she isn’t a Detective. Instead she organises and disciplines the members whenever necessary but otherwise keeps to the side-lines. Mr Snyder, on the other hand, is a Detective who works with the other members in addition to driving them around.

The Bow Street Society is designed as a reflection of us all. Within its universe the mundane becomes pivotal and we discover we all have the potential to solve the most baffling of crimes. The lone detective, or rather the idea of it, is murdered and we are all, quite simply, the ones whodunnit. Not because we despise the brilliance of Sherlock Holmes, Hercule Poirot, and Phillip Marlowe but because we all, deep down, want to be as brilliant as they are. In the 1896 London of the Bow Street Society, you now can be. The only question that remains therefore is this: what would be your field of expertise as a Bow Street Society member?

Biography

T.G. Campbell (short for Tahnee Georgina) wrote her first crime fiction story at the age of sixteen as a gift for her best friend. At only 40 pages long it fell considerably short of a “novel” but it marked the beginning of a creative journey that would eventually spawn the first of the Bow Street Society mystery novels; The Case of the Curious Client.

In April 2017 The Case of The Curious Client won a Book Award with Fresh Lifestyle Magazine (http://www.freshlifestylemag.com/book-award-the-case-of-the-curious-client-a-bow-street-society-mystery.html ).

Website: www.bowstreetsociety.com

 

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The Holly House Mystery

Our latest novella, ‘The Holly House Mystery’ is on sale at only 99 pence/cents. Offer ends on the 6th March (early evening British time).

Friends, please accept this, the only intimation!”

‘The Holly House Mystery’ is set in 1931 and is the second outing for Inspector Eddie Chance of Tennysham-on-sea in Sussex.

This is our take on a classic Golden Age-style murder mystery, set at a winter country house-party. Featuring the usual suspects – including the host, the male secretary, the femme fatale, the young couple and the butler – who murdered the house-maid found in the priory ruins and why?

The setting of Holly House was loosely inspired by the real-life Michelham Priory in present-day East Sussex. (Never taken to the idea of my birth county being split). Michelham Priory is owned by the Sussex Archaeological Society and open to the public. See http://www.sussexpast.co.uk for details. 

Originally an Augustinian foundation and ravaged in the Dissolution, today’s Michelham Priory is a lovely Tudor country house. The site is idyllic, a 7 acre near-island, surrounded by England’s longest medieval moat that still has water. A 14th century gatehouse and a picturesque water-mill have survived. The moat is a haven for wildlife and wild flowers and the gardens are glorious, including a medieval-style physic garden. (They also have delicious baking in the tea-room).

Places to visit in Sussex Michelham Priory

The enclosed nature of the setting inspired our homage to the popular vintage murder mystery with a limited number of suspects.

The length is 34,000+ words – ideal for a commute or a cosy couple of evenings.

We hope you enjoy – and would really appreciate any reviews as this helps all indie authors keep writing.

Here’s the link if you want to order a copy…

 

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Winter Mystery Reading

If you enjoy a wintry mystery, do look at our new detective novella The Holly House Mystery. Available on Kobo and Kindle as well as in paperback.  Thanks to everyone who has bought the book so far.

The novella is set on the Sussex downs in the last days of 1931 and features Inspector Eddie Chance who first appeared in The Seafront Corpse.

An affectionate homage to Golden Age detective fiction and the enclosed world of country house murder.

If you enjoy the book please do leave a review on the online selling sites and Goodreads. And if you could share this and tell your friends about The Holly House Mystery we’d be very grateful. Reviews help Indie Authors stay in business.

Here’s a bit more about the book:

December 1931. Inspector Chance investigates a country house mystery in a snow-bound Sussex village. Family and guests are gathered for Christmas at Holly House. A body is discovered near the ruins in the grounds. And only one set of footprints in the snow…

Can Inspector Chance solve the murder before Scotland Yard is called in?

The Holly House Mystery is a 34000 word novella, complete in itself, the second title in the Inspector Chance Mystery Series.

What Readers are saying about Inspector  Chance’s first appearance in The Seafront Corpse

“An excellent depiction of good old fashioned detective work.”

“An enjoyable trip down memory lane, authentically written.”

“Excellent period detective piece. Couldn’t put it down.”

“The mystery was good, the characters were GREAT!!”

To order just click on this link:

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Our Christmas Mystery Novella

If you enjoy curling up by the fireside with a seasonal mystery, you might like to try our Inspector Abbs novella A Christmas Malice. Set in 1873 during a Victorian country Christmas in Norfolk, our introspective sleuth has a dark puzzle to be solved. As is traditional at this time of year, there will be hope and a happy ending of a sort.Christmas-Malice-Kindle-Cover Reduced

Several readers have asked if the setting is based on a real Norfolk village. Aylmer is completely fictional though the descriptions of the railway line across the empty Fens, an ancient flint church and carrstone cottages fit the real area of beautiful West Norfolk. The towns of King’s Lynn and Hunstanton featured are described as befits their fascinating history.

In the way of any large British county, there are several Norfolks. The saltmarshes, the Broads and the Brecks, to name just three areas are very different from one another. Our story is set on the edge of another, the Norfolk Fens or Fenland. Norfolk is famed for its spectacular wide skies where a fairly flat landscape allows the traveller to see long vistas for miles in every direction. We use fairly advisedly because Norfolk isn’t as pancake flat as is often said. Much of the landscape has gentle undulations and many a fetching slope topped with an old copse or church tower.

On the western edge of the county the Fens (a local word meaning marshland) reach into Norfolk, though their greater part lies in Lincolnshire, Cambridgeshire and the lost county of Huntingdonshire. Flat, few trees, remote and haunting. An empty landscape of long, straight rivers and dykes. Historically a land of windmills, pumping houses, wildfowling and eels. A place of refuge for monks and rebels, the most famous being Hereward the Wake. Cromwell too was a Fenlander. Artificially drained by Dutchmen in the 17th century, the Fens are the lowest-lying land in England and have some of the most fertile soil.

Border places are intriguing, having a face in two directions. A Christmas Malice is set in a village with the Fens starting at its back and a more pastoral landscape on the other side towards the North Sea, then known as the German Ocean. Our Inspector Josiah Abbs is a Norfolk man, living in Devon when the story begins. He comes to spend Christmas with his widowed sister Hetty. Although they grew up on an estate where their father was head gardener, this lonely part of the county is unknown to him. Abbs has only a few days to resolve the mystery, preferably without ruining his sister’s Christmas.

It was an interesting challenge to write a novella-length story (33,000 words) where our detective is alone, without the help of his sergeant or the resources of his county force. Fortunately he does find an ally in the village policeman.

Inspector Abbs and Sergeant Reeve formed an unlikely partnership in our novel A Seaside Mourning, set in Devon in 1873. We hope to finish the next full-length novel in 2017.

It’s available now on Kindle, Nook and Kobo and in paperback if you are looking for a stocking-filler.

Just click on the link below:

http://www.amazon.co.uk/Christmas-Malice-Inspector-Novella-Mysteries-ebook/dp/B00NXQR8MQ/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1447933528&sr=1-1&keywords=a+christmas+malice

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A Christmas Crime Stocking Filler

If you are looking for a stocking-filler for a friend or family member who enjoys crime stories, why not try the paperback edition of our Norfolk-set mystery A Christmas Malice. Just click on the link below for more details, reader reviews and an order page. 

And – if you’re a British reader – you can enter the Goodreads giveaway to win one of three signed copies of A Christmas Malice. You can enter on the Goodreads website at http://www.goodreads.com.

A Christmas Malice

December 1873. Inspector Abbs is spending Christmas with his sister in a lonely village on the edge of the Norfolk Fens. He is hoping for a quiet week while he thinks over a decision about his future. However all is not well in Aylmer. Someone has been playing malicious tricks on the inhabitants. With time on his hands and concerned for his sister, Abbs feels compelled to investigate.. This complete tale is a novella of around 33,000 words. The events take place one month after the conclusion of Inspector Abbs’s first case, A Seaside Mourning.

Christmas-Malice-Kindle-Cover Reduced

https://www.amazon.co.uk/Christmas-Malice-Inspector-Abbs-Mystery/dp/1502322331/ref=sr_1_8?s=books&ie=UTF8&qid=1480159637&sr=1-8&keywords=john+bainbridge

You can find a full list of our books by clicking on the Our Books link above. All of them are available in paperback and as a Kindle eBook. A Christmas Malice is also available on Kobo and Nook eBook readers.

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Writing A Penny Dreadful

A couple of years ago I wrote the first adventure of a Victorian vigilante called William Quest, a gentleman adventurer with a swordstick who seeks to right wrongs and even up the injustices of society. That book was called The Shadow of William Quest. Now I’ve written a sequel called Deadly Quest.deadly-quest-enhanced

The whole project arose from my interest in the Victorian underworld, I’ve always wanted to write a novel that is part detective story, part thriller, and which hearkens back to the traditions of the Victorian Penny Dreadful tales and the Newgate Novels.

Many a Victorian writer wrote these popular tales, which were the staple fiction diet of the newly-literate classes in 19th century England. I’ve read a lot of them over the years. The best ones are fast-moving, often sinister and have lots of action. They are occasionally subversive, pricking at the mores of the day with often undiluted social criticisms.

Most of the writers are forgotten these days, but some went on to great heights. Even Charles Dickens used elements of the Newgate novel in Oliver Twist.

The first novel was set in London and Norfolk. The new book Deadly Quest is set entirely in London, mostly down by the River Thames. I’ve tried to capture a real feeling of London in 1854. Fortunately, I’ve spent years studying Victorian history – I did it as a minor subject in my university degree. I’ve devoted a lot of time since to an expanded study of the Victorian underworld, particularly as regards London.

I’ve walked the streets and alleys used by my characters, by day and night. London has changed a great deal in 160 years, of course. Much of the Victorian cityscape has been bombed or swept away by  developers. The London that is in my imagination is more real to me now than the modern city. There are traces of Quest’s London still to be seen, but they get fewer year by year…

My novel has scenes in a notorious rookery of the time called Jacob’s Island. A district of appalling poverty in Victorian times, Charles Dickens visited it with a police guard. It features in the climax of Oliver Twist. It was already partially demolished by the 1850s. The area was bombed by the Luftwaffe in the London Blitz. Redevelopment accounted for much of the rest. Today that once dreadful slum is a development of luxury flats. You can still visit Jacob’s Island, but it takes quite a leap of imagination to get back to Victorian times.

One problem I encountered in my sequel was that I revealed virtually the whole of Mr Quest’s back story in the first novel, explaining why he decided to take the law into his own hands, fighting for truth and justice and so on. In the new book we start with a completely clean slate.

It’s my intention to do a whole series of William Quest novels, though the original conception of a Victorian avenger has changed since the first book. The outsider now finds himself working on both sides of the law. This wasn’t unusual in Penny Dreadful novels of the Victorian Age, where the author often found his or her villain transformed into the hero.

With the creation of e-book readers we are finding ourselves in a very similar situation to those Victorian readers. A whole new audience has appeared, eager for books. It seems to me that we should study the methods of the writers of Penny Dreadfuls and Pulp Fiction to cater for this expanding market.

They found a popularity after all, and created their own genres.

Deadly Quest is now available in paperback and as an eBook On Kindle. Click on the link to order.

https://www.amazon.co.uk/Deadly-William-Victorian-Mystery-Thriller-ebook/dp/B01LYGNCNQ/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1474537824&sr=1-1&keywords=deadly+quest

This piece first appeared on Marni Graff’s excellent crime fiction review blog https://auntiemwrites.com/  

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Join us on Goodreads

We are now playing a more active role on our Goodreads page.

You’ll find a list of all our books there, plus information on what we’re reading.

There’ll be giveaways of signed copies of our paperbacks coming up, plus publishing and writing news.

The page also gives you an opportunity to ask us questions about our work.

So just click on the Goodreads site at http://www.goodreads.com type in John Bainbridge in the Search. There are several other John Bainbridge’s so enter one of our book titles as well, say Wolfshead, or A Seaside Mourning etc.

If you like, please join us on the Goodreads page as a friend…

Here’s the page address again – http://www.goodreads.com

 

 

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The Dead Woman of Deptford by Ann Granger

This is the sixth in Ann Granger’s series of historical mysteries featuring Inspector Ben Ross and his wife Lizzie. I was pleased when Ann Granger began a Victorian crime series as I’ve been a fan for years, really enjoying her Mitchell and Markby series, set in the Cotswolds, as well as her later Carter and Campbell novels. A prolific lady.

Ben and Lizzie Ross are very likable characters. The series is set in the late 1860s and began when Lizzie Martin came to London to be a companion to her ‘Aunt’ Parry – actually the widow of her late godfather. Her predecessor left in mysterious circumstances and Lizzie is drawn to investigate. The novels are mostly set in a particular district of London, though the second in the series took Lizzie to Hampshire’s New Forest. Much as I’ve liked them all, The Dead Woman of Deptford is my favourite so far.

On a cold November night, Inspector Ross is summoned to Deptford. The body of a well-dressed, middle-aged woman has been found in a rat-ridden yard between dilapidated buildings near the Thames. As always, the narrative is shared between Ben and Lizzie, both in first person.

Ann Granger has a lovely flow to her writing, making it hard to put down. Her characters and setting are vivid and believable. She writes with moments of humour, compassion for social injustice and shows many different layers of Victorian society; from the wealthy squares of the West End, Ben and Lizzie in their modest terrace near Waterloo station, to the bent old man collecting cigar stubs in the gutters.

The sights, smells and sounds of Deptford, its warehouses of spices and tobacco, raucous streets of dock-workers and foreign sailors, tenements and drinking dens are richly depicted. Rather like one of Atkinson Grimshaw’s moonlit quayside paintings come to life. It’s surprising that no production company has grabbed these novels for a television drama.

The solution to the murder is extremely satisfying. Ann Granger had me fooled, which is what I want as a reader. A lifelong love of reading detective fiction means I work out – or get an instinct for – the murderer far too often. It doesn’t necessarily detract from a great read but we all want to be hoodwinked. (Peter Lovesey is my benchmark for an author who dazzles with his deceptive plotting.) This time Ann Granger used a classic piece of misdirection worthy of Agatha Christie, very simple and effective. I’m kicking myself. In addition, I thought the psychology of the motive was eminently believable and thought-provoking.

Ann Granger’s name on the cover guarantees an excellent, detective novel in the classic English style. She’s always a pleasure to read.

To find out more just click on the link:

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