Tag Archives: #pulpfiction

A Christmas Mystery On Sale

‘The Holly House Mystery’ is currently on sale for 99 pence/cents on Amazon Kindle in the UK and USA.

 
As snow falls on the last days of December, Inspector Chance investigates murder in a wintry downland village…

Set in 1931, our second Christmas crime novella is an affectionate homage to the country house-party whodunits of the Golden Age.

It’s also available in paperback.

Click on the link to order or to try a sample:

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My Scottish Novel on Sale

BALMORAL KILL IS ON KINDLE – ONLY 99 PENCE/CENTS THIS WEEK – and you don’t need a Kindle. Just download the free app for your laptop, tablet or phone via the link at the foot of this blog.

Balmoral Kill is also out in paperback if you are looking for a Christmas stocking filler or just for a book to read over the Christmas holiday.

As a hillwalker who also writes novels, I always like to root my plots and characters in a real landscape whenever that is possible. I might alter it, fictionalise it, or just change the odd feature – but I like to start with a reality. And at some point in my fiction I like to use an actual place I know, walk around it and imagine my characters playing out their adventures upon it.

 

I always knew, right from the beginning, that my Victorian thriller The Shadow of William Quest would come to a dramatic conclusion on Holkham Beach in Norfolk. And I knew that the final duel between my hero and villain in Balmoral Kill would have to be in some remote spot in the Cairngorms, though within easy reach of the royal residence of Balmoral Castle.

But I wasn’t sure where.

In all my Scottish stravaiging I had never been to Loch Muick (pronounced without the u), though I had read about it in my numerous Scottish books and looked at it on the map. It seemed an ideal location for the conclusion of a thriller.Balmoral Castle (c) 2015 John Bainbridge

So the summer when I was writing the book, when we were staying in Ballater, we walked up to take a look, circling the loch and examining the wild mountains and tumbling rivers round about. Plotting a gunfight (even a fictional one) takes some care. I wanted it to be as probable and realistic as possible. This is, after all, a book about experienced assassins. I wanted the line of sight of every rifle to be exact.

We also had to check out the hills around. Both my hero and villain are great walkers and “walk-in” to places where they expect to see some action

And a beautiful wild place Loch Muick is. It was a favourite picnicking place of Queen Victoria, who used to linger for days on end at the lonely house of Glas-Allt-Shiel, in mourning for her beloved Prince Albert. Today’s royal family picnic there even now. The house is as I describe it in the book, as is the surrounding scenery. Believe me, I checked out those sightlines. Every shot described in the book could be taken in reality. Even now when I think of that loch and the Corrie Chash above it, I think of my characters being there. Sometimes they are all very real to me.Glas-Allt-Shiel House (c) John Bainbridge 2015

We also revisited Balmoral Castle (actually they only let you into the ballroom!), strolled through its grounds and examined the countryside round about. I was able to work out the exact routes taken by all of the characters who found themselves on the shores of Loch Muick on a late summer day in 1937.

Other areas of Scotland feature in the book too. I partly fictionalised the places I used in the Scottish Borders, though those scenes are based on the many walks I’ve done around Peebles, the Broughton Heights and Manorwater. In one flashback scene in the Highlands I have a character journey from Taynuilt and out on to the mighty twin peaks of Ben Cruachan, and then into the glens beyond, to kill a man in Glen Noe. Some years ago I did a lot of walking in that area and had considerable pleasure in reliving my journeys as I penned those scenes.Loch Muick looking up towards where Balmoral Kill comes to its conclusion. (c) John Bainbridge 2015

The book begins in London and journeys into the East End. I’ve walked the streets and alleys of Whitechapel, Stepney and Limehouse by day and night over the years. Balmoral Kill is set in 1937, so there has been a great deal of change in nearly eighty years. The East End was very badly bombed in the War and thoughtless planners have destroyed a lot more. But enough remains to give you the picture. Once more, I could take you in the steps of my characters through every inch of the places mentioned.

Very often going to these locations inspires changes to the writing. Balmoral Kill was half-written by the time we explored Loch Muick. The real-life topography of the place inspired me to make several changes to the novel’s conclusion.

And now I’m writing an historical novel set in the 1190s. The landscape where it is set has changed very considerably in the centuries since. So more imagination is needed, though I still try to root my scenes in reality.

As a walker as well as a writer I find going on research trips is the best way to conjure up locations with the written word.

It’s out now in paperback as well as in eBook on Kindle. I’d be pleased to know what you think of it.

Click on the link below to read Balmoral Kill.

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‘A Christmas Railway Mystery’ by Edward Marston

Recently published, this is the fifteenth in the historical crime series featuring Inspector Robert Colbeck, known to the press as ‘The Railway Detective’. Edward Marston’s murder mysteries are always enjoyable and it’s nice to have one with a seasonal setting. It’s a title I’d always find hard to resist.A Christmas Railway Mystery (The Railway Detective Series) by [Marston, Edward]

It is December 1860, Isambard Kingdom Brunel is recently dead and the mystery takes place in Swindon, Wiltshire in the workshops of his empire, the Great Western Railway. The body of a workman is found in the erection shed, where the huge locomotives are assembled. The head of the corpse is missing. No spoiler – this is revealed in the jacket copy. Inspector Colbeck and his steadfast sergeant Victor Leeming are on the case, racing against time – and not only due to the old trope of will they make it home for Christmas?

Colbeck and Sergeant Leeming are very likeable and Edward Marston includes some gentle humour with regular supporting characters. His people are realistic and clearly delineated. Plenty of suspects, all with feasible motives, make it hard to work out the murderer – something we crime fans want most of all.

Edward Marston’s knowledge and research make his mysteries very appealing. The theme of steam railways gives a terrific sense of place for fans of Victorian crime. Hard to think of a more atmospheric setting than a crowded, smoky terminus or a swaying compartment with leather straps and hat-boxes. The author keeps this series fresh with cleverly varied aspects of railway murder and readers can enjoy Colbeck’s mid-Victorian Britain knowing that everything they read is authentic.

The setting of A Christmas Railway Mystery is fascinating. Swindon was a rural market town – near the countryside immortalised by the great Victorian essayist Richard Jefferies – until overtaken by the GWR in the 1840s. It was chosen for its position – on the Wilts and Berks canal for transport and between London and the West Country. The market town became known as Swindon Old Town, once the GWR built their Locomotive Works and Railway Village for the workmen. The GWR’s land gradually became known as New Town and the mile or so of countryside between the two areas was filled, as sadly is always the way. Had Brunel never opted for Swindon, the town would perhaps be much smaller today.

Much of the mystery takes place at Swindon New Town, among the village terraces and shadowy corners of the coal sidings, locomotive sheds, machine shops and brass foundry. The Railway Village was built along similar lines to model factory villages like Saltaire and New Lanark, intended to cater for all the needs of employees’ lives. Homes came in different sizes according to position in the company, as varied as clerk, manager or blacksmith. The GWR built a church and chapel, pubs and an enlightened Mechanics’ Institute with an indoor market, entertainment, lectures, classes and the country’s first free lending-library. The workmen even had their own orchestra. (By the end of the 19th century, Railway Village also had its own health clinic and dentist).

The author evokes a claustrophobic community where residents must conform and the family of the murdered man will soon be evicted from their company home. The skilled workforce have come to Wiltshire from industrial areas and been poached from other railway companies. Strangers who bring conflict between factions and the inhabitants of the Old Town. A fraught setting for murder.

A Christmas Railway Mystery is one of the strongest outings for The Railway Detective. Darker in tone than some previous stories, it has a tense sub-plot for irascible Superintendent Tallis, one of our favourite characters. Already looking forward to the next one, I’m glad Edward Marston shows no sign of running out of steam!

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Our Christmas Mystery Novella

If you enjoy curling up by the fireside with a seasonal mystery, you might like to try our Inspector Abbs novella A Christmas Malice. Set in 1873 during a Victorian country Christmas in Norfolk, our introspective sleuth has a dark puzzle to be solved.  Christmas-Malice-Kindle-Cover Reduced

Several readers have asked if the setting is based on a real Norfolk village. Aylmer is completely fictional though the descriptions of the railway line across the empty Fens, an ancient flint church and carrstone cottages fit the real area of beautiful West Norfolk. The towns of King’s Lynn and Hunstanton featured are described as befits their fascinating history.

In the way of any large British county, there are several Norfolks. The saltmarshes, the Broads and the Brecks, to name just three areas are very different from one another. Our story is set on the edge of another, the Norfolk Fens or Fenland. Norfolk is famed for its spectacular wide skies where a fairly flat landscape allows the traveller to see long vistas for miles in every direction. We use fairly advisedly because Norfolk isn’t as pancake flat as is often said. Much of the landscape has gentle undulations and many a fetching slope topped with an old copse or church tower.

On the western edge of the county the Fens (a local word meaning marshland) reach into Norfolk, though their greater part lies in Lincolnshire, Cambridgeshire and the lost county of Huntingdonshire. Flat, few trees, remote and haunting. An empty landscape of long, straight rivers and dykes. Historically a land of windmills, pumping houses, wildfowling and eels. A place of refuge for monks and rebels, the most famous being Hereward the Wake. Cromwell too was a Fenlander. Artificially drained by Dutchmen in the 17th century, the Fens are the lowest-lying land in England and have some of the most fertile soil.

Border places are intriguing, having a face in two directions. A Christmas Maliceis set in a village with the Fens starting at its back and a more pastoral landscape on the other side towards the North Sea, then known as the German Ocean. Our Inspector Josiah Abbs is a Norfolk man, living in Devon when the story begins. He comes to spend Christmas with his widowed sister Hetty. Although they grew up on an estate where their father was head gardener, this lonely part of the county is unknown to him. Abbs has only a few days to resolve the mystery, preferably without ruining his sister’s Christmas.

It was an interesting challenge to write a novella-length story (33,000 words) where our detective is alone, without the help of his sergeant or the resources of his county force. Fortunately he does find an ally in the village policeman.

Inspector Abbs and Sergeant Reeve formed an unlikely partnership in our novel A Seaside Mourning, set in Devon in 1873.

It’s available now on Kindle and in paperback if you are looking for a stocking-filler. Just click on the link below to order: 

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Sherlock Holmes: A Scandal in Bohemia

A Scandal in Bohemia was the very first Sherlock Holmes short story, published in the July issue of The Strand Magazine in 1891 and collected in The Adventures of Sherlock Holmes the following year. Holmes and Watson had made their first appearance in the longer stories A Study in Scarlet in 1887, and re-appeared in The Sign of Four (The Sign of the Four) in 1890. Neither of those two outings were particularly successful until the short stories took off in the Strand.

As a short story it is important because it presents a number of the tropes which become familiar to readers of the canon in subsequent stories – the initial consultation in Baker Street, the hospitality of Holmes’ housekeeper (though, presumably through error, she’s called Mrs Turner rather than Mrs Hudson in this story), the friendship of Holmes and Watson, the very characterful client – in this case the King of Bohemia, Holmes’ use of disguise, and the emotional coldness of the detective’s character.

It also features the character of the opera singer and courtesan Irene Adler who, although she only actually appears in this one tale and rates only brief mentions in several more, casts her shadow over the canon.

For, as the opening line of the story tells us “To Sherlock Holmes she is always the woman.” As Watson points out, there are no feelings of romantic or sexual love in that comment. Holmes is asexual in every sense of the word and I get a bit peeved when modern re-interpreters try to imply otherwise. And just as well – Holmes with romantic feelings simply wouldn’t be Holmes.

There are several other comments about Holmes’ character in the tale, which establish further the characters established in the two longer stories. Almost at the beginning we hear Holmes’ admonition to Watson “you see, but you do not observe” – a sentiment presented in various forms throughout the canon. “It is a capital mistake to theorise before one has data”. Another warning to Watson, who also presents Holmes as “the most perfect reasoning and observing machine that the world has ever seen.”

Several candidates have been put forward as possible inspirations for the King of Bohemia, including the then Prince of Wales, later King Edward VII  – who certainly led a Bohemian lifestyle – and the Crown Prince of Germany, later Kaiser Wilhelm II.

I rather tend to the thought that Doyle had the Prince of Wales in mind. It would certainly make more of the suggestion that Irene Adler, an opera singer born in New Jersey, is based on Edward’s mistress Lily Langtry, known familiarly as the Jersey Lily (as in Jersey in the British Channel Islands.)

The plot is basically very simple – you might care to read the story again before you read further here.

Irene Adler was the mistress of the King of Bohemia when he was still the crown prince. She has in her possession a compromising photograph and letters produced during their liaison. The King is now engaged to marry a princess from Scandinavia,who comes from a particularly puritanical family.

Believing that Irene is obsessed with him, he fears that Irene Adler might use the photograph and letters for her own ends, which could undermine the settled order of the European monarchies, he commissions Holmes to recover the items.

Interestingly, he is prepared to pay Holmes a considerable amount of money for his services and provides a handsome advance. A reminder that Sherlock views his role as a consulting detective as a profession. Elsewhere, in The Problem of Thor Bridge, Holmes categorically states that “my professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether”. Which isn’t quite what happens in A Scandal of Bohemia.

The joy of the piece, for me, is the portrayal of Irene Adler. We get our first intimations of her character from Holmes’ notebooks, which portrays her professional character, and then from the King who describes her as “an adventuress”. Given the King’s predilections in the same directions, there is considerable hypocrisy there, though it is of course the sentiments of the time.

As it turns out, Irene Adler has moral scruples that the King of Bohemia could probably never imagine. At the end of the story she acts with a morality and sense of fair play which makes her a much worthier person than the wretched and dissolute monarch.

Furthermore, she is a worthy opponent for Holmes, and shows him a respect equal to the regard the detective comes to have for her. She is never the villain of this piece – only its heroine.

I’ve always been impressed by the Granada television version of the tale, starring Jeremy Brett – the first in the series to be broadcast, though not actually the first one filmed. (They filmed The Solitary Cyclist first as as shakedown episode). David Burke was a very fine Watson and Gayle Hunnicutt a superb Irene Adler.

 

 

 

 

 

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Victorian Thriller on Sale

My Victorian thriller Deadly Quest is on sale for Kindle readers for just 99 pence/cents until late next Monday night. Just click the link below to have a look and to start reading for free…

This is to mark the fact that I’m now writing the third book in the William Quest series – it doesn’t have a title as yet. Unlike the first two books, which were set in London and Norfolk, this one is set in the winding streets and ginnels of York.

And – as Quest has never been to York before – this puts him at a considerable disadvantage as he faces menacing new foes.

I’ll let you know how the writing goes. Hopefully, the book will be finished by the end of the year.

Meanwhile, if you haven’t started the series, do seek out the first two books The Shadow of William Quest and Deadly Quest

They are also both out in paperback as well. And free to borrow on Kindle Prime.

Just click on the links below:

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The Saint: Boodle by Leslie Charteris

Before I begin, I should say that Boodle was the original title of this collection of Saint short stories first published in 1934, being the thirteenth volume of the saga of Simon Templar. American and later British editions were re-titled The Saint Intervenes.

Annoyingly, later editions omitted one, and in some cases two, of the original stories. My copy of Boodle omits the tale “The Uncritical Publisher” (I wonder who that upset?) and “The Noble Sportsman” is lost from others. (Could it be because the latter is less than charitable about a British politician?)

Recent paperback and Kindle editions of The Saint Intervenes have happily restored these omissions.

The stories are wonderful examples of early Saint yarns and featured in some are Simon Templar’s delightful girlfriend Patricia Holm (surely the most delightful heroine in this type of literature) and the gum-chewing Inspector Claud Eustace Teal who, interestingly, works  with the Saint on a few occasions here.

What I love about the Saint is that – unlike, say, Sapper’s Bulldog Drummond – he has a social conscience, takes the part of the poor and the weak against the rich and the powerful.

There are no criminal masterminds for the Saint to combat in these stories. Instead, Simon Templar battles petty crooks exploiting the innocent, rich businessmen ripping off the poor, and dubious politicians. Good for the Saint! We could do with him now… The Saint Intervenes by [Charteris, Leslie]

It always amazes me when I remember that Leslie Charteris was a very young author when he created and wrote these early Saint adventures. I think barely twenty when he created the character and still a fair distance from thirty when he penned the stories in Boodle. He wrote with a confidence that many older and more experienced authors never achieve.

The stories were first written for magazine publication in Empire News in Britain. One tale  “The Man Who Liked Toys” had its first publication in The American Magazine as a standalone yarn with a different hero, but was re-jigged as a Saint story for this volume publication.

As with all Saint stories – and I have to confess to preferring the earlier ones like this volume, where Simon Templar is really well outside the law, though with a moral code of his own – the yarns in Boodle are unputdownable, superbly crafted, witty and inventive. Charteris was no hack writer, but a very skilled literary artist.

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Planning A Victorian Murder Mystery

There was never much plan to writing my first historical murder mystery, A Seaside Mourning. Like much of life, it just sort of happened! I’d always vaguely wished I could write a detective novel as they’re my favourite reading, along with the fat triple-decker classics of Victorian lit. I’d never written anything longer than free-lance articles and the very occasional short story but gradually you realise that the perfect time will never come. So one day, on impulse, I sat down and tried.Seaborough-Kindle-Cover

There’s always some impetus to a major new project. Mine was homesickness. We’d moved inland and I was missing the sea. So I started to think about setting about a murder mystery in a fictional Victorian seaside resort. Not somewhere popular and successful, no Scarborough, Llandudno or Brighton. Seaborough would be the sort of sleepy coastal town where the rise of the 19th century holiday trade never quite took off. Somewhere that never did get a pleasure pier and that today, would have lost its branch line in the Sixties. The setting became much-missed East Devon, home of my ancestors, two Victorian police constables among them.

The next point to decide on was the decade. I knew I didn’t want to venture into Sherlock Holmes territory, much as I love reading Doyle. The 1880s and 90s had such a flood of early technology and changing attitudes – widespread use of the telephone, bicycles, typewriters, women’s suffrage and so on – that in a way, the times felt too modern to appeal. The 1860s seemed to be a popular setting with historical crime authors so I went for the 1870s, which was fairly underused. I decided to stick to the first half of the decade so the detectives wouldn’t have the telephone.

I’ve always liked novels and dramas about the goings-on, plots, schemes and petty rivalries in small-town life. The secrets, large and small, in a place where its leading characters are known to everyone, at least by reputation. And for the middle-classes of Victorian Britain, reputation mattered. Without the safety-net of a welfare state, money and status was the hedge against going under. Fear would have been ever present. A return to Victorian Values, anyone?

The theme for A Seaside Mourning became murder and intrigue in a small community which is beginning to change. With apologies to Mrs Gaskell, a sort of Cranford with crime. Beneath the veneer of respectability, the townsfolk are gossiping over their tea cups and watching behind the Nottingham lace curtains.

As the title implies, the background to the story is the Victorian way of death, a subject that’s always fascinated me. No one truly mourns the first victim, despite all the macabre ritual of an elaborate funeral. Even Inspector Josiah Abbs is a widower, haunted by his wife’s death.

And after the murders, Seaborough, Inspector Abbs and Sergeant Ned Reeve, will never be the same again…

A Seaside Mourning was written as a stand-alone, then an idea came for an Inspector Abbs novella, A Christmas Malice, set in Norfolk. This was still never intended to be a series as I went on to write a 1930s mystery and was de-railed by ill-health.  Abbs and Reeve have never quite gone away, though. A new full-length mystery is being written. This one takes them to Scotland Yard and should be out by summer 2018.

A Seaside Mourning is on sale on Kindle this week for just 99 pence/cents.

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Finding Novel Locations

We’ve been in York, searching out locations for the third William Quest novel. Interesting to walk around a city getting atmosphere for an historical thriller set in 1854. As an historical location, York is easier than most. Such a lot survives, compared to other places in Britain.

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York Minster

In the first two books The Shadow of William Quest and Deadly Quest, my hero is mostly adventuring in London – a place which has changed a great deal since the mid-Victorian period. But the Victorian elements can still be sought out even there, though they are few and far between. I’ve spent such a lot of years studying Victorian London that it seems very familiar to me. Indeed, modern London seems strange whenever I’m there.

York is a joy. Although there has been modern development and new shop fascias, many of the streets would still be recognisable to a man from 1854. In my book, William Quest has never been to York before, so he’s lost one of the great advantages he’s had while  carrying out his often dubious activities in London – which he knows like the back of his hand.

For anyone who’s never encountered William Quest, he’s a mysterious figure, usually armed with a pistol and a swordstick, who rights wrongs, defends the weak against the strong, fights corruptions and has his own occasional vigilante methods of dealing with wrongdoers.

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Grape Lane

 

But in this book he’s having to take on the role of detective as well, solving a puzzle that has baffled the citizens of York…

And it means peril, high adventure and a sinister conspiracy….

Having spent the past couple of months writing the third Quest (no title as yet), it’s great to revisit familiar old haunts in York – though I confess to spending a lot of time in bookshops. York has some great second-hand bookshops!York October 2017 011

 

 

 

We go to York quite often and always do a lot of walking around the streets, but I felt I was at the point in the novel where I wanted to see again some of the places I’d mentioned in the chapters written so far. There is one particular street, Tanner Row, which appears in the book and which I didn’t really know at all  – an important street leading to what was once York’s original railway station. The one someone like Quest would have used in 1854.

This original railway station was within the city walls, the present station, though Victorian and magnificent is outside the walls. Much of the old station still exists, though it’s been revamped as offices for the city council.

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Tanner Row

Nearer to the Minster, we walked the streets where the mystery occurs which provides my novel with its plot – the area around Stonegate and Grape Lane. I know these streets very well, but it was valuable to stroll through them with my characters in mind. It’s the little details that make the difference when you are imagining fictional characters in a real landscape.

Most of my novels are set in real places. I often get ideas for stories by just going for a walk. The whole story-line of my 1930’s Scottish novel Balmoral Kill changed when I walked around Loch Muick in the Highlands. You could re-enact the final duel in that novel across a real landscape if you wanted.

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The Old Railway Station

I find as a writer that just going out for a walk is the greatest source of inspiration.

Some areas of York have changed since the 1850s. The streets known as the Water Lanes, down on the River Ouse, were a rookery at that time.  In the 1870s a new road, Clifford Street, was driven through and much of the rest redeveloped. It’s still Victorian and charming to walk through, but not quite the setting Quest would have known.

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On the city walls

Much the same happened in London. Jacob’s Island, where my book Deadly Quest comes to an end, was a much viler rookery than the Water Lanes. Charles Dickens used it for the ending of Oliver Twist, where it is Fagin’s final lair. Today Jacob’s Island is full of very expensive luxury apartments. If the ghosts of the poor devils who lived in the diseased original Island could come back and see it, I do wonder what they would think?

I came back from York enthused by what I’d seen. The visit spurred me on to finish the book. I hope it will be out at the turn of the year.

Though I still don’t have a title!

If you haven’t read the first two William Quest novels, there are links below. Both are available in paperback and on Kindle – and there’s a free Kindle App available for your Smartphones if you like to read on the move.

 

 

 

 

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The Holly House Mystery On Sale

Our second novella, ‘The Holly House Mystery’ is on sale at only 99 pence/cents. Offer ends on the 25th September.

“Friends, please accept this, the only intimation!”

‘The Holly House Mystery’ is set in 1931 and is the second outing for Inspector Eddie Chance of Tennysham-on-sea in Sussex.

This is our take on a classic Golden Age-style murder mystery, set at a winter country house-party. Featuring the usual suspects – including the host, the male secretary, the femme fatale, the young couple and the butler – who murdered the house-maid found in the priory ruins and why?

The setting of Holly House was loosely inspired by the real-life Michelham Priory in present-day East Sussex. (Never taken to the idea of my birth county being split). Michelham Priory is owned by the Sussex Archaeological Society and open to the public. See http://www.sussexpast.co.uk for details.

Originally an Augustinian foundation and ravaged in the Dissolution, today’s Michelham Priory is a lovely Tudor country house. The site is idyllic, a 7 acre near-island, surrounded by England’s longest medieval moat that still has water. A 14th century gatehouse and a picturesque water-mill have survived. The moat is a haven for wildlife and wild flowers and the gardens are glorious, including a medieval-style physic garden. (They also have delicious baking in the tea-room).

Places to visit in Sussex Michelham Priory

The enclosed nature of the setting inspired our homage to the popular vintage murder mystery with a limited number of suspects.

The length is 34,000+ words – ideal for a commute or a cosy couple of evenings.

We hope you enjoy – and would really appreciate any reviews as this helps all indie authors keep writing.

The next full-length Inspector Chance mystery will be out next year.

Here’s the link if you want to order a copy…

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