We’re delighted to bring you an interview with writer Jan Edwards, author of the newly published historical crime novel Winter Downs.
I absolutely loved Winter Downs, which takes place in a fascinating time in a lovely part of Sussex that Kipling called our blunt, blow-headed, whale-backed Downs. The perfect setting for the first novel in an atmospheric new crime series. If you enjoy classic, Golden Age style whodunits with engaging sleuths, a twisting plot and a wonderful sense of place – you’re in for a great treat.
Here’s Jan to tell us about Winter Downs and her writing process…
Tell us a little about yourself and your writing.
Spike Milligan had the right answer for this one, “I was born at a very young age…” Not much to be said about me as such; usual number head and hands. And the old adage that most people do not move more than 20 miles from their place of birth has never applied to any of my tribe. I am a Sussex girl by birth, though Mother was Welsh/West Country mix and Father a Geordie/Oxfordshire lad. I currently reside in North Staffordshire with my husband Peter Coleborn and the obligatory authors’ clowder of cats. But Sussex remains my spiritual home.
On the fiction front much of my short fiction has concerned folklore because that is a passion of mine. This often reads as horror/fantasy, and I am a past chairperson of the British Fantasy Society. I have two collections of short fiction available, Leinster Gardens and Other Subtleties and Fables and Fabrications. My contemporary novel, Sussex Tales, won a Winchester Slim Volume award, and is a nostalgia piece about rural communities in the early 1960s.
Tell us about your new book.
My new crime novel, Winter Downs, is also set in Sussex (a recurring theme in my fiction).
How did I jump from all of the horror to crime? I have always read crime in large quantities, especially those Golden Age volumes set between 1920s and 1950s. The period detail is fascinating and perhaps once again it is my love of folklore that has me seeking fiction that is not set in the now. I was lured into writing Sherlock Holmes fiction for several projects and adding the sum of those factors into a recent-history crime novel was a natural progression in my mind.
The crime and horror genres frequently leach across each other as both deal with the seamier side of existence. Though Winter Downs is not a horror story in the slightest. Yes it has a body count but its a pretty straight whodunnit .
Winter Downs in brief: “In January of 1940 a small rural community on the Sussex Downs, already preparing for invasion from across the Channel, finds itself deep in the grip of a snowy landscape, with an ice-cold killer on the loose. Bunch Courtney stumbles upon the body of Jonathan Frampton in a woodland clearing. Is this a case of suicide, or is it murder? Bunch is determined to discover the truth but can she persuade the dour Chief Inspector Wright to take her seriously?”
How did you decide on the setting of Winter Downs?
Sussex is never far from my heart. It is a truly magical place so if I am honest I don’t think I ever considered setting it anywhere else. Why WW2? Growing up in rural Sussex of the 50s and 60s, amongst the pill boxes and air strips left over from that time, made an impact, though I didn’t realise it at the time. The setting for my story just evolved as these things do. Probably, as I said before, because I prefer my own reading to be somewhere and some time other than the here and now, which I don’t need to read about because I’m already here… if that makes sense.
Do you have a typical writing day?
I am far too disorganised to have a routine, so answer to that question is a resounding no. I am a bit of a night owl and write most of my fiction in the wee small hours, so perhaps I have what could be seen as a writing night?
As you’ve written a period crime novel – do you enjoy research?
I absolutely adore research. I can get lost for hours reading reams and reams of notes to find one tiny fact that may appear on the page as three words. Just recently I spent two days finding out what the applicator pads in a 1930s handbag sized powder compact would be made of, (silk/velvet appeared to be the general consensus) and that snippet took up half a sentence in the final cut.
I may appear to be totally abstract in my writing processes but fact checking is the one area that I am really strict about. I may not always get it right but it will never be for want of trying. In Winter Downs there was so much to look into. For example: despite what we are led to believe from this time and distance, by Christmas 1939 almost nobody bothered to carry their gas mask with them. Then there is the gradual introduction of rationing. Knowing the month and year in which certain items went on ration, or the fact that alcohol was never rationed at all (though spirits did get scarce), are essential detail that I hope add some authenticity to the narrative.
What first inspires you when writing fiction – a setting, plot idea or character?
Each frequently feeds off of the other. It might be a news headline or an interesting fact in a book, or someone I met on a train, but in most cases I could never identify the point of sources
Full synopsis before you start – or seat of the pants?
Generally seat of the pants. Crime does need plotting, especially with a whodunnit where the author needs to sew the breadcrumb clue trail for the reader to follow. I tend to write the story first and make sure that trail makes sense in the rewrites. I suspect that is the long winded way to go about it but Gran always told me laziest people work the hardest.
What aspects of writing do you find the most tricky?
Words? Not as silly as it sounds. I am dyslexic so using the wrong word that is almost the correct one is a very real issue. ‘To and too’ or ‘of and off’ are particular issues. Recently it was draw when it should have been drawer. Fortunately I have beta readers and a top hole editor to point those out to me!
What advice would you give to new writers?
I go to a writing group and am amazed by the number of people who cheerfully admit that they seldom read books – and when they read their work out for critique by the group that lack of reading experience always shows. So my one big piece of advice is: Read! Often and widely!
3rd June 2017 | Penkhull Press
Paperback £7.99 tbc | ebook £2.99 tbc
In January of 1940 a small rural community on the Sussex Downs, already preparing for invasion from across the Channel, finds itself deep in the grip of a snowy landscape, with an ice-cold killer on the loose.
Bunch Courtney stumbles upon the body of Jonathan Frampton in a woodland clearing. Is this a case of suicide, or is it murder? Bunch is determined to discover the truth but can she persuade the dour Chief Inspector Wright to take her seriously?
Winter Downs is first in the Bunch Courtney Investigates series. Published in paper and e formats.
Jan Edwards is a Sussex-born writer now living in the West Midlands with her husband and obligatory cats. She was a Master Locksmith for 20 years but also tried her hand at bookselling, microfiche photography, livery stable work, motorcycle sales and market gardening. She is a practising Reiki Master. She won a Winchester Slim Volume prize and her short fiction can be found in crime, horror and fantasy anthologies in UK, US and Europe; including The Mammoth Book of Dracula and The Mammoth Book of Moriarty. Jan edits anthologies for The Alchemy Press and Fox Spirit Press, and has written for Dr Who spinoffs with Reel Time Pictures.
For further information please contact Penkhull Press at: https://thepenkhullpress.wordpress.com/